Japan Society
To enable the Nomura troupe of Kyo-gen actors to present performances in cities and universities in the United States, January - March 1968.
詳細はこちらTo enable the Nomura troupe of Kyo-gen actors to present performances in cities and universities in the United States, January - March 1968.
詳細はこちらto survey Indian film developments and give lectures in India on American films selected by the Museum of Modern Art, New York.
詳細はこちらto enable the following Asian music specialists to attend the International Music Council General Assembly and Congress, New York and Washington, D.C., September 1968: Surya Brata, indonesia; Tran Van Khe, Vietnam; Sri Kusumobroto, Indonesia; Hye Ku Lee, Korea; Lobsang Lhalungpa, Tibet; Narayana Menon, India; Uro Nakayama, Japan
詳細はこちらto the American Committee of the World Crafts Council, New York, to enable the following crafts specialists from Asia to attend the Third Biennial Meeting of the General Assembly of the World Crafts Council, Lima, Peru, August-September 1968: Zulkifli Aziz, National Museum of Malaya, Kuala Lumpur, Malaysia; Kamaladevi Chattopadhyay, Chairman, All India Handicrafts Board, Bombay, India; Peter Dandeniya, director, National Craftsmen's Cooperative Society, Colombo, Sri Lanka; Kiran Gujral, potter, New Delhi, India; Satish Gujral, painter, New Delhi, India; Pupul Jayakar, director, National Small Industries Corporation, New Delhi, India; Hardjasoemantri Kusnadi, Ministry of Education and Culture, Yogyakarta, Indonesia; Manote Kongkananda, painter and graphic artist, Bangkok, Thailand; Homi Sethna, filmmaker, Bombay, India; Nellie Sethna, weaver and textile designer, Bombay, India; Kichenosuke Tonomura, director, Kurashiki Folk Art Museum, Japan.
詳細はこちらto enable Haku Shah, designer, National Institute of Design, Ahmedabad, India, to accompany the exhibition Unknown India: Ritual Art in Tribe and Village shown at the Philadelphia Museum of Art, the St. Louis Art Museum, and the M. H. de Young Memorial Museum, San Francisco, January-August 1968.
詳細はこちらto study techniques of archaeological excavation and research at the Institute of Archaeology, University of London, and to survey archaeological sites in Japan.
詳細はこちらto enable Chira Chongkol, curator, to survey museum collections and to meet with museum professionals in the United States, and to enable Ake Chareepolakon, technician, to survey exhibition design and installation techniques in the United States.
詳細はこちらto study at the Skowhegan School of Painting and Sculpture, Skowhegan, Maine, summer 1968, to pursue painting activities, and to observe contemporary art developments in the United States.
詳細はこちらto the Center for Cultural and Technical Interchange between East and West, Honolulu, and the Institute of Ethnomusicology, University of California, Los Angeles, to enable the following Indonesian music and dance teachers to study musicology, music and dance: Enoch Atmadi, Konservatori Kariwatan, Bandung; I Made Bandem, Akademi Seni Tari, Indonesia, Denpasar; Iim Djunaedi, Konservatori Karawitan, Bandung; Winotokusomo Soedarsono, Akademi Seni Tari, Indonesia, Yogyakarta; R. Wiranto, Konservatori Karawitan, Surakarta.
詳細はこちらto provide support for a survey of the educational system of Sikkim by John H. Niemeyer, president, Bank Street College of Education
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