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Nursalim Yadi Anugerah

To observe and participate in the experimental music scene in New York, while learning how artists and institutions use sound-making as a tool of music diplomacy to help enhance communities and build bonds both locally and internationally.

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Alexander Dubovoy

To collaborate and produce music with musician Katherine Whatley and sake brewer Kazuyo Fukao based on traditional sake production practices and field recordings.

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Hsin-Yun Huang

To travel to several indigenous villages in Taiwan, with the assistance of a local guide, and seek permission to record video performances of their music, folk singing & dancing, and offer her own playing in return.

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Alifiyah Zulfiqar Imani

To engage with female practitioners influencing the Hindustani classical music genre Dhrupad's contemporary performance, following the genre’s historical trajectory, oral transmission, the overlooked lives of female practitioners, and the impact of technology on the genre.

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Steven Parker

To expand the field of instrument design and sculpture through SOUND CONSTRUCTION, a project creating an ensemble of hybrid instrument sculptures that combine instrument craftsmanship from the U.S. and Taiwan.

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Endo Suanda

To complete a program of study leading to a Ph.d in ethnomusicology at the University of Washington

To continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington in summer 1994.

to continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington

To continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington during 1990-91.

Continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington during the 1989-90 academic year.

To continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington during the 1988-89 academic year.

Continue to study ethnomusicology in a program leading to the M.A. degree at Weslyan University, and attend performances and other cultural events in New York in fall 1982.

to continue to study ethnomusicology in a program leading to the M.A. degree at Wesleyan University and to attend performances and other cultural events in New York.

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Hideki Umezawa

To conduct research on sound sculptures, interact with the experimental and electronic music scene in New York, and examine the relationship between people and the environment.

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