Norris Houghton
To continue to survey contemporary theater developments in Hong Kong, India, Japan, Korea, and Thailand
To survey contemporary theater developments in Hong Kong, India, Japan, Korea, and Thailand
詳細はこちらTo continue to survey contemporary theater developments in Hong Kong, India, Japan, Korea, and Thailand
To survey contemporary theater developments in Hong Kong, India, Japan, Korea, and Thailand
詳細はこちらTo work at the School of Architecture, Ahmedabad, India, and to draft the curriculum for the proposed School of Planning
詳細はこちらTo Albarwild Theatre Arts, New York, to provide support in collaboration with the U.S. Department of State for the Paul Taylor Dance Company to make a performance tour to Hong Kong, India, Japan, Korea, Malaysia, the Philippines, the Republic of China, Singapore, Sri Lanka, and Thailand, January-April 1967
詳細はこちらTo document and record traditional Indian music at the Tyagaraja Festival in Tanjore, India in January 1967
詳細はこちらTo the University of Chicago to establish in Benares a photographic archive, library resources, and research facilities and to provide for staff travel, conference expenses, meetings of the American organizing committee, and a stipend for John Rosenfield to serve as director of the American Academy of Benares, 1968-69
詳細はこちらTo survey contemporary architecture developments in the United States, India, Canada, Europe, and Mexico
詳細はこちらTo survey facilities and resources of art libraries in India, Japan, Korea, the Philippines, and Thailand
詳細はこちらTo serve as an artist-in-residence at the University of Iowa, to pursue painting activities, and to observe contemporary art developments in the United States, Hong Kong, India, Thailand, and Europe
詳細はこちらTo study traditional dance forms and contemporary developments in choreography at the Natya Institute of Choreography, New Delhi; the Sangeet Natak Akademi, New Delhi; and the Darpana Academy, Ahmedabad
詳細はこちらTo attend the Seminar on the Development of Museums, New Delhi, February 1966
詳細はこちらTo provide support for the establishment of the Bhirasri Institute of Modern Art and to enable Pira P. Piradej to survey museum and cultural center operations and to observe contemporary art developments in the United States, India, Canada, and Europe
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