グランティを検索/絞り込むto travel to Thailand, Indonesia, Malaysia, and Singapore in order to meet with artists, scholars, and critics and to visit galleries and museums in connection with planning a series of contemporary Asian art exhibitions at The Asia Society
詳細はこちらTo enable Dia Center curator Lynne Cooke to undertake research on contemporary art in Japan in spring 1995.
詳細はこちらwith Elizabeth Bernard, to analyze and document Buddhist monuments and works of art in four major holy areas in eastern Tibet in 1995
to conduct research in India on the art and cultural traditions of the Dagyab area in the Kham region of Tibet
詳細はこちらTo enable Freer curators Louise Cort and Jan Stuart to undertake research on ceramics in China in spring 1994.
詳細はこちらto conduct research in Indonesia for an exhibition and catalogue on betel paraphernalia in South and Southeast Asia
詳細はこちらTo provide general support to the Indo-U.S. Subcommission on Education and Culture.
Provide assistance for the Subcommission's 1993 programs.
Provide assistance for the Subcommission's 1993 programs.
To provide administrative support for a period of three years in connection with the Subcommission's expanded cultural programming activities.
to support expenses incurred in connection with the Festival of India in the United States in 1985-86
詳細はこちらTo support the participation of Japanese artists in the installation and opening of the exhibition "Scream Against the Sky: Japanese Art After 1945" at the Guggenheim Museum, SoHo, and the San Francisco Museum of Modern Art in 1994-95.
詳細はこちらTo assist ITI in providing program support services to visiting theater artists from Asia in 1994.
To provide support for a performance tour by Yoshi and Company of Hannya Shingyo, a contemporary ritual based on The Tibetan Book of the Dead, in the United States and Canada, September - October 1975.
To enable the following theater specialists to attend meetings of the Working Committee of the International Theatre Institute and the Asian Theatre Conference, Bombay, November 1972 and to enable Ellen Stewart to survey theater activities in Indonesia, Malaysia, and the Philippines: Martha Coigney, United States; Cecile Guidote, Phillippines; Winotokusomo Soedarsono, Indonesia; Ellen Stewart, United States; Duk Hyung Yoo, Korea.
To enable Cecile Guidote, executive director of the Philippine Educational Theater Association, Manila, to survey theater activities in the United States.
To enable the following American theater specialists to attend the Third World Festival and International Conference, Manila, November 1971: Rosamond Gilder, Lloyd Richards, Ellen Stewart, Luis Valdez.
To enable Brooks Jones, American theater specialist, to serve as advisor and visiting director at the Philippine Educational Theater Association, Manila.
To provide for purchase and distribution of 400 copies of the publication Theater 2 to theater professionals and institutions in Cambodia, Hong Kong, India, Indonesia, Japan, Korea, Laos, Malaysia, Pakistan, the Philippines, the Republic of China, and Sri Lanka.
To enable Som Benegal, theater specialist, New Delhi, to attend a special session of the Executive Committee of the International Theatre Institute, Paris, October 1968.
To the American National Theatre and Academy, New York, to enable the following Asian theater specialists to attend the XII Congress of the International Theatre Institute, New York, June 1967, and to travel in the United States thereafter: Ariff Ahmad, Malaysia; E. Alkazi, India; Tetsuo Arakawa, Japan; Lamberto V. Avellana, Philippines; Som Benegal, India; Cecile Guidote, Philipines; Eui Kyung Kim, Korea; Kashiro Koizumi, Japan; Sombhu Mitra, India; Ryoichi Nakagawa, Japan; H.D. Sugathapala, Sri Lanka
詳細はこちらTo conduct research in Southeast Asia for an exhibition of Pre-Angkor and Angkor period works of art from Cambodia, Vietnam, and Thailand, to be presented at the Metropolitan Museum of Art.
詳細はこちらTo pursue research on western Tibetan Buddhist monastic art of the twelfth to sixteenth centuries in Ladakh and Zangskar in summer 1994.
詳細はこちらTo enable artistic director Joseph Hanreddy and playwright Steven Dietz to travel to Japan in summer 1994 to confer with colleagues at the Institute of Dramatic Arts, Tokyo, in connection with the development of a collaborative theater piece based on the novel Silence by Shusaku Endo.
Enable Joseph Hareddy, artistic director of the Milwaukee Repertory Theater, to travel to Japan in June 1993 to collaborate with colleagues at the Uinstitute of Dramatic Arts, Tokyo, in developing international theatrical exchange programs.
To enable directors from the Milwakee Repertory Theater, Arena Stage, Stage West, and the Berkeley Repertory Theater to visit Japan in October 1986 to meet with director Tadashi Suzuki and discuss plans for a collaborative production of King Lear to be directed by Mr. Suzuki in the United States in 1988
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