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American Committee for South Asian Art

to support the participation of students in ACSAA's 1996 biennial meeting scheduled to be held in Minneapolis in May 1996.

Enable Vasant Jadhav, research associate in archaeology, Deccan College, Pune, India, to organize photographic materials on South and Southeast Asian art and archaeology for incorporation into the ACSAA Color Slide Project at the University of Michigan in fall 1983.

Provide support for the first ACSAA Symposium on South Asian Art, held at the University of Minnesota in May 1981.

To provide support for the establishment of a distribution program of color slides of the art of India and other South Asian countries for universities, museums, other educational institutions, and specialists.

To the University of Minnesota to provide support for the meeting of the American Committee for South Asian Art, May 1972.

To the University of Chicago to provide support for meeting of the American Committee for South Asian Art concerning the establishment of the American Academy of Benares, August 1965

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Miranda Arana

to conduct research in Vietnam in summer 1995 on the history and evolution of the department of traditional music at the National Conservatory in Hanoi in connection with the completion of an M.A. degree in ethnomusicology at Wesleyan

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Dan Duffy

To enable Vietnamese writer, Hoang To Mai, to visit creative writing programs, survey theater activities, and meet with dramatists and authors in the United States, beginning fall 1995.

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Foundation for Independent Artists, Inc.

to enable Eiko and Koma to participate in the contemporary arts festival that has been organized by Yang Meiqi and the Guangdong Modern Dance Company to be held in Guangzhou, China, in December 1995.

to enable Native American musicians Robert Mirabal and Ben Sandoval to participate in a production of Land, a new performance piece by dance artists Eiko & Koma presented at the Museum of Contemporary Arts, Hiroshima, in July 1991

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Martin Friedman

To observe contemporary art activities and museum practices in Japan and to explore the development of future curatorial and exhibition exchange projects between the United States and Japan.

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