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Association of Taketoyo Cultural Creation

to support the participation of performance artists from the United States and Asia to travel to Japan to collaborate on Pappa Tarahumara’s 30th anniversary and farewell project, the Final Festival.

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Curtis Bahn

Composer, Troy, New York: to carry out research and creative work in India, including the study of Sitar and Hindustani music theory with Ustad Shahid Parvez Khan, and to collaborate with contemporary Indian artists including former ACC grantee Ranjit Makkuni.

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Brooklyn Academy of Music

New York, New York: to support the presentation of the Beijing Dance Theater (BDT) company in the 2011 Next Wave Festival.

Postponed from Spring 2008- Support for participating artists and specialists from Indonesia, Malaysia, India and perhaps other countries in Asia in June 2009 series of festival and conference programs, Illuminating Islam

support for Pappa Tarahumara in the fall 2007 Next Wave Festival

support participation of artists from the National Ballet of China to in the presentation of the performance work Raise the Red Lantern at the Brooklyn Academy of Music's Next Wave Festival in October 2005

support for participation of performance groups from Pakistan and China in 2005 programs at the Brooklyn Academy of Music

Support for participation of Sankai Juku and The Ninagawa Company in fall 2002 Next Wave Festival

support for the martial arts film festival that will be held at BAM as part of the 2001 Next Wave Festival

support for Cloud Gate Theater performance in fall 2000 Next Wave Festival

Support the participation of the Japanese performance group Sankai Juku in the 1999 Next Wave Festival at BAM

Support participation of Somei Satoh in the presentation of the collaborative performance work River at BAM's Next Wave Festival in December, 1997

To provide support for the performance and related public programs of the Cloud Gate Dance Theater of Taiwan at the Brooklyn Academy of Music in fall 1995.

to provide support for a three-week perfomance tour in the United States and Canada by the Darpana Dance Company, Ahmedabad, India, November-December 1972, and for six-week performance tour in the united States and Canada by the Daners and Musicians of Bali, Indonesia, December 1972-February 1973

to provide support for a performance tour in New York and ten other cities in the united States and Canada by the Classical Khmer Ballet of Cambodia, October-December 1971.

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