Martin Lerner
To conduct research in Southeast Asia for an exhibition of Pre-Angkor and Angkor period works of art from Cambodia, Vietnam, and Thailand, to be presented at the Metropolitan Museum of Art.
詳細はこちらTo conduct research in Southeast Asia for an exhibition of Pre-Angkor and Angkor period works of art from Cambodia, Vietnam, and Thailand, to be presented at the Metropolitan Museum of Art.
詳細はこちらTo pursue research on western Tibetan Buddhist monastic art of the twelfth to sixteenth centuries in Ladakh and Zangskar in summer 1994.
詳細はこちらTo enable artistic director Joseph Hanreddy and playwright Steven Dietz to travel to Japan in summer 1994 to confer with colleagues at the Institute of Dramatic Arts, Tokyo, in connection with the development of a collaborative theater piece based on the novel Silence by Shusaku Endo.
Enable Joseph Hareddy, artistic director of the Milwaukee Repertory Theater, to travel to Japan in June 1993 to collaborate with colleagues at the Uinstitute of Dramatic Arts, Tokyo, in developing international theatrical exchange programs.
To enable directors from the Milwakee Repertory Theater, Arena Stage, Stage West, and the Berkeley Repertory Theater to visit Japan in October 1986 to meet with director Tadashi Suzuki and discuss plans for a collaborative production of King Lear to be directed by Mr. Suzuki in the United States in 1988
詳細はこちらVisit China at the invitation of the All China Dance Association in order to discuss current developments in Western dance and to review present plans in China for the creation of a national dance library in summer 1983.
詳細はこちらTo provide support for the collaboration of Asian artists on the production Big Wind in Asia in fall 1994.
Support the participation of artists from Asia in the San Francisico Mime Troupe's production of Offshore in summer 1993.
to enable theater director Dan Chumley to present workshops in Hong Kong and Tokyo in April 1992
to enable playwright Carlos de la Paz from the Philippine Educational Theater Association (PETA) in Manila to be in residence at the San Francisco Mime Troup in December 1991
詳細はこちらTo enable Korean directorJeong-ok Kim to participate in SITI's International Exchange Forum in September 1994.
詳細はこちらTo enable Japanese ceramic artist Shiro Otani to undertake a one-month residency at SUNY New Paltz in fall 1994.
詳細はこちらTo conduct research in Japan on the work of architect Sutemi Horiguchi in summer 1994.
詳細はこちらTo enable Beijing opera teacher Yisong Fan from the Shanghai Theatre Academy to direct theater workshop, "Shakespeare and Beijing Opera" at Tufts University in summer 1994.
詳細はこちらTo enable theater director Margaret Booker to participate in the Beijing '94 Stage Design Symposium at the Central Academy of Drama in China in December 1994.
詳細はこちらTo study modern dance and choreography in New York and to observe recent trends in dance and other performing arts disciplines in the United States in 1994-95.
詳細はこちらTo give workshops on choreography, movement, and dance analysis in China at the Beijing Academy of Dance and the Guangdong Academy of Dance
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