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Indiana University

to enable Vietnamese ethnomusicologist To Ngoc Thanh and ethnologist Ngo Duc Thinh to undertake research and attend conferences the U.S.

to enable Johei Sasaki to serve as a visiting curator fot the exhibition Japanese Drawing shown at the Indiana University Art Museum, February-March 1975.

To enable Asian art specialists to attend the Fourth Conference on Oriental Western Literary and Cultural Relations, Indiana University, June 1966, and to provide support for the exhibition East-West in Art and presentations of Asian dances and films held in connection with the conference

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Los Angeles County Museum of Art

to participate in the Japan-U.S. Museum Professionals Exchange Program

to provide partial support for six textile specialists from Japan attending a program in American techniques for storage and handling of textiles at the Los Angeles County Museum of Art in fall 1992

to provide support for the production of the film Indian Sculpture, directed by Pratapaditya Pal, curator of Indian and Islamic art, Los Angeles County Museum of Art

to enable the following scholars to attend "Indian Art: A Symposium," October 1970, held in conjunction with an exhibition of the newly acquired Heeramaneck collection of Indian art, and to enable five of these scholars to survey museum collections in the United States and Europe: Dipak Chandra Bhattacharyya, Department of the History of Art, Punjab University, Chandigarh; M. N. Deshpande, Archaeological Survey of India, New Delhi; V. P. Dwivedi, National Museum, New Delhi; Sadashiv V. Gorakshkar, Prince of Wales Museum of Western India, Bombay; Brijinder Nath Goswamy, Department of the History of Art, Punjab University, Chandigarh; Karl Khandalavala, Prince of Wales Museum of Western India, Bombay; Umakant P. Shah, Oriental Institute, Baroda; Mary S. Slusser, Smithsonian Insitution, Washington, D.C.

to provide support for the exhibition Art Treasures from Japan, organized in cooperation with the Government of Japan and shown at the Los Angeles County Museum of Art, the Detroit Art Institute, the Philadelphia Museum of Art, and the Royal Ontario Museum, Toronto, September 1965-June 1966.

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