Culinary Art House
2021年01月18日 - 2021年01月30日
Culinary Art House is an ever emerging, fluid mixed media project that explores ecology, culture, spirituality and politics around land, food, cooking and gardening...
イベントを見るACCは、世界中に広がるグランティやアルムナイのネットワークを大変誇りに思っています。
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Culinary Art House is an ever emerging, fluid mixed media project that explores ecology, culture, spirituality and politics around land, food, cooking and gardening...
イベントを見るPresented by Taipei Fine Arts Museum (TFAM), the 12th edition of Taipei Biennial You and I Don’t Live on the Same Planet aims to question our current ongoing geopolitical tensions and worsening ecological crisis by examining our differences and influences on a planetary perspective...
イベントを見るThe Group Show 'Dreaming of Equ>lity' features thirty-one artists contributing work focused on their hopes for an end to the collective traumas of injustice, racism, discrimination, and climate destruction...
イベントを見るStoried References is a group exhibition curated by invitation and from a national call for entry featuring artwork that grapples with the harsh truths of contemporary reality...
イベントを見るSpotlight on Chitra Ganesh organized by Aziz Sohail (ACC 2019, 2020) at the South Asia Institute...
イベントを見るJapanese-born, New York-based choreographer Kota Yamazaki (ACC 1997) was in residence at BAC in 2016 to develop the second part of his Darkness Odyssey trilogy: I or Hallucination...
イベントを見る前回の展示 栗田紘一郎 / “地水気” に続く第2 弾、“PERCEIVING / 視覚” 展のお知らせです。
自然をモチーフとした写真古典技法による大型プラチナプリント作品20 点を FOTOZUMI
Gallery で展示します...
ACC grantee ANTON DEL CASTILLO has been painting for the past eight years. COVID-19 has made the artist's frightening world of men and women wearing masks to survive, a literal reality...
イベントを見るCelebrating design’s ability to offer powerful insights into the key issues of our age, The Museum of Modern Art will present Broken Nature in its street-level galleries. The exhibition will highlight the concept of “restorative design” and present objects and concepts that offer diverse strategies in the effort to help humans repair their relationship to the environments that they share—with other humans and with other species....
Image: AKI INOMATA “Think Evolution #1 : Kiku-ishi (Ammonite)” to be shown at the exhibition.
"Good bones tell stories. Good bones connect us across the ephemeral nature of time, to something that was, but no longer is. They carry cultural baggage in the way they insinuate judgments of good and bad. Think good bones as in the strength of an older building or architectural space. Think of the eugenics of "good bones". Bones are something that remain. They are mysterious in what they do not tell us, and a bit metaphysical in the way they embody what is no longer really "here". In this new exhibition by the intergenerational group, Spliced Connector, we explore this overarching idea. Endemic to it is the notion of the architectonic quality that is conceptually present in all artwork. An idea in artwork is like the "good bones" of a house. A solid foundation is something that will support a superstructure built above. Following our Summer exhibition, "Under the Skin", Good Bones expands on the metaphorical idea of the human body. Our bones are what hold us up, allow us to move. Our bones give us a dynamic, physical presence in this world. Artwork is like a human body: it allows our minds to expand, take a walk, move about within our imaginative capacities. Good bones in artwork provides the bedrock for an expanding, engulfing conversation about whatever an artist is considering within the visual language. Good bones is all about those of us who have taken the time to learn the history of this complex language, and use it on purpose, saying what we can only say within the visual language. Good Bones supports the ideational and aesthetic playground that expands the human experience into upper dimensions." [Note: ACC grantee 'Elaine Wang' is a.k.a. 'Frog the Parhelia']
イベントを見るThere is no denying that Western theater has strongly influenced the development of modern Indonesian theater in Indonesia but does this mean that Indonesian dramatists have not delved into indigenous theatrical traditions as a source for the enrichment of their plays?...
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