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Taipei Biennial: You and I Don't Live on the Same Planet

2021年01月15日 - 2021年03月14日

Presented by Taipei Fine Arts Museum (TFAM), the 12th edition of Taipei Biennial You and I Don’t Live on the Same Planet aims to question our current ongoing geopolitical tensions and worsening ecological crisis by examining our differences and influences on a planetary perspective...

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Dreaming of Equ>lity

2021年01月14日 - 2021年06月30日

The Group Show 'Dreaming of Equ>lity' features thirty-one artists contributing work focused on their hopes for an end to the collective traumas of injustice, racism, discrimination, and climate destruction... 

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富井玲子氏講演会

2021年01月13日

美術史家の富井玲子氏の令和2年度文化庁長官表彰を記念して、1月13日19時からオンライン講演(ウェビナー)が行われます。

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NIU Art Museum Chicago, DeKlab 'Storied References'

2021年01月12日 - 2021年02月26日

Storied References is a group exhibition curated by invitation and from a national call for entry featuring artwork that grapples with the harsh truths of contemporary reality...

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PlayBAC: Kota Yamazaki

2020年12月15日 - 2020年12月17日

Japanese-born, New York-based choreographer Kota Yamazaki (ACC 1997) was in residence at BAC in 2016 to develop the second part of his Darkness Odyssey trilogy: I or Hallucination...

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PERCEIVING / 視覚

2020年12月04日 - 2021年01月17日

前回の展示 栗田紘一郎 / “地水気” に続く第2 弾、“PERCEIVING / 視覚” 展のお知らせです。
自然をモチーフとした写真古典技法による大型プラチナプリント作品20 点を FOTOZUMI
Gallery で展示します...

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Broken Nature

2020年11月21日 - 2021年08月15日

Celebrating design’s ability to offer powerful insights into the key issues of our age, The Museum of Modern Art will present Broken Nature in its street-level galleries. The exhibition will highlight the concept of “restorative design” and present objects and concepts that offer diverse strategies in the effort to help humans repair their relationship to the environments that they share—with other humans and with other species....
Image: AKI INOMATA “Think Evolution #1 : Kiku-ishi (Ammonite)” to be shown at the exhibition.

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Good Bones

2020年11月20日 - 2020年11月18日

"Good bones tell stories. Good bones connect us across the ephemeral nature of time, to something that was, but no longer is. They carry cultural baggage in the way they insinuate judgments of good and bad. Think good bones as in the strength of an older building or architectural space. Think of the eugenics of "good bones". Bones are something that remain. They are mysterious in what they do not tell us, and a bit metaphysical in the way they embody what is no longer really "here". In this new exhibition by the intergenerational group, Spliced Connector, we explore this overarching idea. Endemic to it is the notion of the architectonic quality that is conceptually present in all artwork. An idea in artwork is like the "good bones" of a house. A solid foundation is something that will support a superstructure built above. Following our Summer exhibition, "Under the Skin", Good Bones expands on the metaphorical idea of the human body. Our bones are what hold us up, allow us to move. Our bones give us a dynamic, physical presence in this world. Artwork is like a human body: it allows our minds to expand, take a walk, move about within our imaginative capacities. Good bones in artwork provides the bedrock for an expanding, engulfing conversation about whatever an artist is considering within the visual language. Good bones is all about those of us who have taken the time to learn the history of this complex language, and use it on purpose, saying what we can only say within the visual language. Good Bones supports the ideational and aesthetic playground that expands the human experience into upper dimensions." [Note: ACC grantee 'Elaine Wang' is a.k.a. 'Frog the Parhelia']

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Local Drama/World Stage (Lakon Nasional/Lakon Dunia) part of Lontar Literary Festival

2020年11月14日 - 2020年11月15日

There is no denying that Western theater has strongly influenced the development of modern Indonesian theater in Indonesia but does this mean that Indonesian dramatists have not delved into indigenous theatrical traditions as a source for the enrichment of their plays?...

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