I Understand Everything Better is a deeply personal reflection on the consciousness of dying and narratives interrupted by a cataclysmic storm. Combining personal narratives, traditional Japanese Noh theater, along with work by collaborators Tei Blow and Sibyl Kempson, Neumann’s virtuosic movement and humor reveals the shimmer of realms unseen, the concurrence of unrelated events and the body itself as evidence of a will having to let go.