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Amanda Andrei

To study Filipino plays that deal with online and internet culture, observing how these plays might translate from Filipino to Anglophone audiences and how a diasporic heritage language learner critiques a multilingual play.

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Louella Rose Cabalona

A 2-month research fellowship in Manila and Cebu, Philippines focusing on Philippine art, music, theater, and key historical events from 1898 to 1946 to inform the completion of a cabaret work and album based on the life and works of great Filipino composers.

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Cathy Che

To retrace her parents' journey in Vietnam and the Philippines, leading to her mother playing a background extra in Apocalypse Now while being stateless in a refugee camp after fleeing the Vietnam War, for research into a memoir called Fade In centering on their story.

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Cynthia Martin

To continue research on a documentary film exploring how centuries of colonization and patriarchy in the Philippines led to shattered Filipino identity and how scholars and the youth are piecing it back together.

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Angeline Meitzler

To research Filipino earthquake mythology, developing digital animation resources, and establishing connections with filmmakers in the Philippines.

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Office ALB

To foster exchange and international collaboration among artists from Southeast- and South Asia, Japanese artists centering on choreographer/dancer Akiko Kitamura and local artists from the Philippines, India and Indonesia collaborate to conduct fieldwork and workshops together.

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VIVA ExCon Organization, Inc.

A 7-month Organization/Project Grant to bring participants from Taiwan, Thailand, Indonesia, and the Philippines together in an interactive virtual conference of the Visayas-wide biennale VIVA ExCon.

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Ballet Philippines

To bring lighting designer Jennifer Tipton to Manila to give a two-week masterclass for lighting designers from Southeast Asia, and to support the participation of lighting designers from the region

a grant supplement to further support Jennifer Tipton's masterclass for lighting designers from Southeast Asia

to enable Indonesian choreographer Boi Sakti to serve as a guest choreographer with Ballet Philippines in Spring 2001

to support the residency of American choreographer and teacher Norman Walker with the Ballet for two months, beginning in December 1986

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