Bangkok Art and Culture Centre
To support CULTIVATE, a professional development program for curators and arts managers, bringing world-renowned curatorial faculty to Bangkok to host and participate in intensive workshops and mentorship.
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Search / Filter GranteesShao Yen Chen
To meet local contemporary artists, theater directors, and choreographers in New York, examining how the natural and urban environments impact their artistic work.
Learn MoreYi-Ming Chen
To continue study towards a Master of Fine Arts in Dramaturgy at Columbia University's Theatre program to expand his knowledge of theater and build connections with artists who resonate with his artistic vision.
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To research and study the diverse and free-form expressions of Broadway theater (both on and off-Broadway) through extensive observations and exchange with the theater community, absorbing different forms of artistic expression and culture.
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To conduct interdisciplinary ethnographic field research on Mongolian Shamanic culture covering rituals, music, and art with a focus on the Tsaatan, Darkhats, and Buryats in Mongolia.
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To conduct field research into the materials she utilizes for her work and deepen the conceptual aspects of her multidisciplinary sculptures, propelling her artistic vision through engaging with art critics, scholars, and curators.
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To visit different communities involved in independent art in Indonesia, history, reflective architecture, and culture in Hiroshima and Okinawa, and contemporary art in Thailand to understand the spirit of collaboration in different political situations and cultures.
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To examine the innovative pathways for an artist’s career by being immersed in New York’s diverse art scene and observing the integration of art and culture with commercial applications.
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To visit research units in New York to explore the convergence between art, interdisciplinary technology and life sciences: “Interdisciplinary, Physiographical, and Hydrological Exploration and Cooperation Research Project.”
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To learn the traditional Japanese art forms focusing on Tokiwazu style Shamisen and Nihon-buyo, and by understanding their cultural context, to find further possibilities for the contemporary developments of traditional Taiwanese theater and music.
To collaborate virtually to explore the intersection of contemporary and traditional music.
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To promote cultural exchange as well as to observe, consult, and learn from scholars and artists in interculturalism to create new performance styles and develop techniques as a jingju (Chinese Opera) practitioner seeking to update the traditional art form.
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To explore the diverse and complex multiculturalism in New York in the contemporary media era through social observations on Asian issues, social classes, and international politics thereby nurturing a second artistic identity, the interdisciplinary and performative persona of FAMEME.
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