Edna Vida Froilan
for a six-month grant to research contemporary dance and theater activities, observe rehearsals, and attend classes and workshops in choreography and improvisation in New York.
Learn Morefor a six-month grant to research contemporary dance and theater activities, observe rehearsals, and attend classes and workshops in choreography and improvisation in New York.
Learn MoreTo support the participation of five Asian speakers in activities that are to take place in conjunction with the Global Heritage Fund's Forum on Cultural Heritage in a Developing World - Focus on Asia.
Learn Morefor a two-week journey of research to investigate the contemporary music field in the Philippines, Vietnam, and India.
to participate in the international symposium, Public Art In(ter)vention, to be held in Chiang Mai, Thailand, February 16-20, 2005
research trip in Asia for Istanbul Biennale
To conduct research in the United States on contemporary American painting and sculpture
Learn Moreto support the Hawaii International Film Festival’s 2012 “Spotlight On Pen-Ek Ratanaruang,” a retrospective of the Thai filmmaker’s work that is to include a scholar-led panel discussion focusing on the expression of Thai culture and art through film.
Support the participation of film specialists from Asia in the NETPAC conference on Asian cinema at the Hawaii International Film Festival in December 1993.
Learn Morefor a six-month grant to research traditional woodcarving in Malaysia and to participate in a five-month residency at the Lower Manhattan Cultural Council in 2013.
Learn Morefor a five-month grant to carry out a residency at the Headlands Center for the Arts in Sausalito, California, and to observe contemporary art activities in New York.
Learn Moreto participate in a creative residency at Cemeti Art House in Yogyakarta, Indonesia beginning April 1, 2012
Learn MoreFor a three-week research project on hemp and ramie cultivation, traditional and contemporary cloth production, yarn processing, and uses of native fibers in Japan.
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