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Amrita Performing Arts

support Amrita's programs with visiting artists and specialists in Asia and the United States in 2007

support the participation of artists from Cambodia in the Bassac/Peking Opera Exchange Project workshop in the Philippines in February-March 2006

to support AMRITA's coordination and administration of the Bassac/Peking Exchange Project workshop held in the Philippines in February-March 2006

Support for Amrita's administrative and organizational expenses for Phase I and Phase II of the Bassac/Peking Opera Exchange Project in 2005

to support Amrita's management of international programs in Cambodia in 2004

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Chou Yih-Chang

for a four-month grant to undertake research in Indonesia and South Korea.

to enable three company members to join Mr. Chou in the research and study of performing arts in Indonesia in February 2007

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Drama League of New York, Inc.

to support an exploratory visit to Beijing and Shanghai for key staff of The Drama League to lay a foundation for future exchange between theater directors from China and the U.S.

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FringeArts

To support the participation of playwright Toshiki Okada and performers from Japan on the U.S. tour of Okada’s newest project, God Bless Baseball, in January and February 2016.

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Japan Society

to support the participation of Japanese motion-graphic artist Nobuyuki Hanabusa in two creative residencies with his U.S. collaborators, with whom he will work on the multidisciplinary production of Yukio Shiba’s play Our Planet

To support the participation of artists from Japan in 1994-95 performing arts programs at the Japan Society.

to support a performance of Water Station by the contemporary Japanese theater group Tenkei Gekijo as part of the New York International Festival of the Arts in June 1988.

Japan Society Kabuki Program To the Japan Society, New York, to provide for the production and distribution in the eastern United States, in collaboration with Channel 13, New York, of a color videotape on Kabuki techniques as demonstrated by the Grand Kabuki Theater, Tokyo, while on tour in the United States.

To enable the Nomura troupe of Kyo-gen actors to present performances in cities and universities in the United States, January - March 1968.

To provide support for a performance and lecture-demonstration tour by the Hosho troupe of Noh actors to thirty-one cities in the United States, October 1966

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Ronald Jenkins

for a two-month grant to carry out research in Indonesia for a collaborative theater project involving a visual artist and choreographer from Indonesia

For partial support of a 12-month research trip to Indonesia to document, transcribe and translate performances of the Balinese ritual exorcism, Calon Arang, in Balinese villages to restore spiritual balance to the community.

three-month grant to undertake research on the comic narrators of topeng masked theater in Bali

to undertake a teaching and research residency at the National College of Arts (STSI) in Denpasar, Bali, beginning May 1996.

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Karen Kandel

to make a return trip to Japan in November/December 2006 to complete research and study in Japanese performance that was initiated last spring through her original ACC fellowship

three-month fellowship to study and observe classical Japanese dance and music and to interview geisha in Japan in connection with Geisha, a new production by TheatreWorks of Singapore

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Line Storm Productions

To enable American collaborators Elise Thoron and Karen Kandel to travel to Kyoto and Tokyo in order to prepare for the Japanese premiere of Recycling: Washi Tales in June 2016. (Fiscally sponsored by Fractured Atlas)

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