Danongan Sibay Kalanduyan
travel & research on gong-making in Indonesia
to conduct research on the kulintang music tradition in Mindanao, the Philippines
Learn Moretravel & research on gong-making in Indonesia
to conduct research on the kulintang music tradition in Mindanao, the Philippines
Learn Moreto undertake an internship in museum practice at the Ayala Museum in Manila, beginning in September 2000
Learn Moreto support the participation of scholars Ma Erzi and Bamo Qubumo from China in an exhibition of Nuosu arts at the university's Burke Museum in spring 2000
To enable Indonesian musician Burham Sukarma to serve as visiting lecturer in the School of Music during the 1986-87 academic year
to enable Dr. Dao Duy Anh, dan abo and dan tranh performer, Saigon, Vietnam, and T'ao Chu-Shen, ch'in and hsiao performer, Taipei, Republic of China, to serve as a visiting artists-in-residence at the School of Music, University of Washington, during the 1975-76 academic year.
to provide for the duplication and shipment to the National Classical Music Institute, Seoul, Korea, of tape recordings of performances by members of the institute produced by Robert Garfias, associate professor of music and anthropology, University of Washington, in the Philippines-Korea Music Archives Project.
to enable T. Brinda, voice and vina teacher, Karnatic College of Music, Madras, India, to travel with an accompanist to Seattle to serve as an artist-in-residence.
To enable Robert Garfias, assistant professor of music, University of Washington, to direct a project to record and film the traditional music and dance of Korea and the Philippines and to establish archives in Korea, in the Philippines, and at the University of Washington
To enable the following architecture students from the United States to participate in a seminar in Japan on environmental design, summer 1965, under the direction of Eiji Itoh, research associate, University of Tokyo, and Philip Thiel, associate professor, College of Architecture and Urban Planning, University of Washington: Thomas Bender, Christopher Chadbourne, Eric Doepke, Ann Esch, Ronald Fleming, Thomas Moran, Roger Pool, James Stanek, Edward Tower
to provide for the production of The Monkey and the Fox: Kyogen in America, a film of the Nomura troupe of Kyogen actors on tour in the United States.
Learn Moreto participate in the 1998 Philippine International Dance Festival and Conference in Manila and to undertake research on Philippine dance in summer 1998
Learn Moreto undertake an artist-in-residence program at the College of Fine Arts, University of the Philippines, beginning in September 1996.
Learn MoreTo support participation as guest choreographer and teacher with Ballet Philippines in Manila in fall 1992
Learn Moreto conduct research on music and cultural change among Vietnamese refugees in the Philippines in summer 1988
Learn MoreTo travel to Manila in winter 1987 as a consultant in the development of theater and performing arts programs at the Ninoy Aquino Park.
Learn MoreTo provide partial support for dissertation research in the Philippines in connection with a program leading to the Ph.D. degree in archaeology at the University of Hawaii in the 1985-86 academic year.
Participate in an archaeological field project in the Phillippines during summer 1981; to continue to study archaeology in a program leading to the Ph.D. degree at the University of Hawaii; and to meet with archaeologists and survey archaeological sites in Southeast Asia in 1983.
Participate in an archaeological field project in the Phillippines during summer 1981; to continue to study archaeology in a program leading to the Ph.D. degree at the University of Hawaii; and to meet with archaeologists and survey archaeological sites in Southeast Asia in 1983.
to continue to study archaeology in a program leading to the M.A. degree in Asian Studies at the University of Hawaii
Learn Moreto attend the Roundtable on Music Research in Southeast Asia, held under the auspices of the Unesco National Commission of the Philippines and the Cultural Center of the Philippines, Manila, October 1973
to conduct research in Malaysia on puppet theater and dance-drama
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