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Antonette Go

To attend classes in New York and acquire innovative techniques to empower local artists and foster narratives rooted in experiences, contributing to the enrichment of the Philippine cultural landscape.

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Souya Handa

To conduct on-site research on the Manhattan Project, providing a multifaceted perspective on his artistic practices on Hiroshima, as well as conduct research on Asian artists in the United States working on postcolonial themes.

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Joyu Hsu

To conduct interdisciplinary ethnographic field research on Mongolian Shamanic culture covering rituals, music, and art with a focus on the Tsaatan, Darkhats, and Buryats in Mongolia.

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Hsin-Yun Huang

To travel to several indigenous villages in Taiwan, with the assistance of a local guide, and seek permission to record video performances of their music, folk singing & dancing, and offer her own playing in return.

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Yu Wen Hung

To conduct field research into the materials she utilizes for her work and deepen the conceptual aspects of her multidisciplinary sculptures, propelling her artistic vision through engaging with art critics, scholars, and curators.

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Alifiyah Zulfiqar Imani

To engage with female practitioners influencing the Hindustani classical music genre Dhrupad's contemporary performance, following the genre’s historical trajectory, oral transmission, the overlooked lives of female practitioners, and the impact of technology on the genre.

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Minori Ishikawa

To research literary and artistic practices in the United States and study how minority stories have been told in the country to discover new or alternative storytelling and styles of writing in Japanese.

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