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Bontaro Dokuyama

To learn about artistic practices in a multinational country, and research the history and cultural transmission of Japanese immigrants in the United States from the Meiji Restoration through World War II and the present.

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Don't Follow the Wind

To support American artist and curator contributions, conducting on-site research and interacting with displaced residents, for the Don't Follow the Wind exhibition through planning and development.

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Alexander Dubovoy

To collaborate and produce music with musician Katherine Whatley and sake brewer Kazuyo Fukao based on traditional sake production practices and field recordings.

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Mariska Febriyani

To contribute to the advancement of the Indonesian dance scene after an immersive experience in New York’s vibrant dance world and professional dance management scene.

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Antonette Go

To attend classes in New York and acquire innovative techniques to empower local artists and foster narratives rooted in experiences, contributing to the enrichment of the Philippine cultural landscape.

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Souya Handa

To conduct on-site research on the Manhattan Project, providing a multifaceted perspective on his artistic practices on Hiroshima, as well as conduct research on Asian artists in the United States working on postcolonial themes.

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Joyu Hsu

To conduct interdisciplinary ethnographic field research on Mongolian Shamanic culture covering rituals, music, and art with a focus on the Tsaatan, Darkhats, and Buryats in Mongolia.

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Hsin-Yun Huang

To travel to several indigenous villages in Taiwan, with the assistance of a local guide, and seek permission to record video performances of their music, folk singing & dancing, and offer her own playing in return.

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Yu Wen Hung

To conduct field research into the materials she utilizes for her work and deepen the conceptual aspects of her multidisciplinary sculptures, propelling her artistic vision through engaging with art critics, scholars, and curators.

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