Alex De Guzman
To observe current trends in dance lighting design and technical direction in the United States
Learn MoreTo observe current trends in dance lighting design and technical direction in the United States
Learn MoreTo collect research materials in Japan and invite Japanese film specialists to participate in preparing a multi-volume history of Japanese cinema
Learn MoreTo serve as a visiting teacher at the Shanghai Theatre Academy during the spring 1993
Learn MoreTo serve as a guest lecturer in a training course on archaeological beads analysis sponsored by the Southeast Asian Ministers of Education Organization's Regional Centre for Archaeology and Fine Arts at the University of Malaysia in November 1992
Learn MoreTo continue to study in a program leading to the Ph.D. degree in Chinese art history at the University of California
to continue to study in a program leading to the Ph.D. degree in Chinese art history at the University of California, Berkeley
Learn MoreTo oberve and participate in conteporary music activities in the United States
Learn MoreTo travel to China to participate in the selection of paitings by faculty members of the Central Academy of Fine Arts, Beijing for an exhibitionat the Univeristy of Missouri, Kansas City; to conduct research on Chinese Buddhist sculpture; and to attend three conferences on Chinese art
Learn Moreto attend the International Ramayana Festival, East Java, August-September 1971.
To study theater in a program leading to the M.A. degree at the Dallas Theater Center, to observe folk theater in Mexico, and to observe theater activities in New York and Europe
Learn MoreTo pursue doctoral dissertation research in Japan on the training and transmission of traditional dance and music
Learn MoreTo support continued research on sculpture of Bengal and Bihar in the United States
To conduct research on sculpture from Bengal in public and private collections in the United States
to participate in the Seminar on Preservation and Conservation of Cultural Properties, New Delhi, February 1972, and to survey the effects of the war in Bangladesh on works of art and museums.
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