Vietnam Institute of Musicology, Folk Dance, and Choreography
To purchase new computer and recording equipment.
Learn MoreTo purchase new computer and recording equipment.
Learn MoreTo observe and document contemporary activities in video art in the United States.
Learn Moreto study modern dance at the American Dance Festival and in New York in summer 1995.
Learn MoreTo conduct research in New York on feminist theory and film at the Museum of Modern Art, the Lincoln Center Library for the Performing Arts, and the Anthology Film Archives.
Learn MoreTo observe contemporary dance activities in the United States and to study modern dance and choreography in New York and at the American Dance Festival in 1996.
Learn MoreTo undertake research in China in summer 1995 for an exhibition of recent archaeological finds to be presented at the Nelson-Atkins Museum of Art in 1998.
Learn MoreTo travel to Kerala, India in summer 1995 to carry out interviews and consult with translators in connection with the completion of your manuscript for Whe Gods and Demons Come to Play, Kahakali in Performance and Context.
To travel from South India to Delhi and Calcutta in December 1985, in order to meet with organizers of the International Seminar and Festival on Martial Arts and raditional Performance to be held in Calcutta in 1987.
Learn Moreto support the participation of Mr. Yoon-suk Kim in the development and performance of a new dance work at the Joseph Papp Public Theater in New York in July 1995.
Learn MoreTo support the participation of Indonesian music specialists Al. Suwardi, I Nyoman Catra, and I Ketut Gede Asnawa in the Planet Gamelan conference at Dartmouth College in April 1994.
Support the participation of grantees I Wayan Rai and Martinus Miroto in the Planet Gamelan festival, symposium, and exhibition presented by the American Gamelan Institute at Dartmouth College in April 1993.
Learn MoreTo continue research on contemporary American theater and to explore collaborative work with artists in the United States.
to observe contemporary theater developments and to survey techniques of stage design in the United States.
Learn MoreI Made Bandem & Ni Swasthi Bandem: To pursue research on stage production and Balinese cultural studies in the United States in spring 1994.
to continue to study ethnomusicology in a program leading to the Ph.D. degree at Weslyan University.
to begin studies in a program leading to the Ph.D. degree in ethnomusicology at Wesylan University.
Learn More