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Nanditha Nair

A 3-month research fellowship with photographer Ajilal and Rico to document the rhythmic body movements integral to Okinawa's unique weaving techniques—Kijoka Bashofu, Yomitanzan Hanaori, Shuri Ori— and Ryukyu Bingata dyeing.

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Peter John Natividad

To conduct research on the principles and techniques used in the mounting and seismic control system of display and storage in Japanese museums.

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Edward Herbst

To restore and edit, research and interpret, document, explain, and repatriate extensive film footage and photographs taken in Bali by Gregory Bateson (in collaboration with Margaret Mead between 1936–39) and by Jane Belo from 1931–38 with a focus on childhood in 1930s Bali, including games and free play; dance and drama; rites of passage; trance; ritual activities; and everyday life.

(Bali 1928 and Library of Congress-to-Bali Repatriation Project) to support research and documentation leading to the re-release and repatriation of the first published recordings of music in Bali, and extensive film footage and photographs taken between 1930 and 1939

(Bali 1928 and Library of Congress-to-Bali Repatriation Project) to support research and documentation leading to the re-release and repatriation of the first published recordings of music in Bali, and extensive film footage and photographs taken between 1930 and 1939

To conduct research in Indonesia concerning repatriation strategies for the first published recordings of music in Bali

Next stage of research among older musicians and performing artists in Bali in connection with annotated study of archival recordings

to participate in a seminar on Indonesian performing arts to be held at the National Academy of the Arts in Solo and to undertake music research in Bali

to conduct resarch in Indonesia on the role of vocal music in the performing arts of Bali

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Hsu Chia-Ming

To learn the traditional Japanese art forms focusing on Tokiwazu style Shamisen and Nihon-buyo, and by understanding their cultural context, to find further possibilities for the contemporary developments of traditional Taiwanese theater and music.

To collaborate virtually to explore the intersection of contemporary and traditional music.

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Kei Cheuk Leung

To research art and technology trends in Japan and Korea through a two-pronged approach: to respond to technological and artistic demands globally through forms of expression that integrate the latest technologies; and, to incorporate technology into historical and cultural contexts in Hong Kong to usher in new creative practices.

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Qianxi "Chelsea" Liu

To consolidate Liu's current research on the interactive relationship between China and East Asia in terms of its artistic and cultural production, as well as its cross-cultural role in the late 20th century when globalization first took firm hold.

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Chen Wu Kang

To support research & development on collective/decentralized creative process through dance/video/lighting to explore artistic possibility and feasibility in the new normal.

for a six-month grant to observe and participate in contemporary dance activities in New York and to interview several leading choreographers and dancers in the U.S. in order to gain insight on their work

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Japan Center, Pacific Basin Arts Communication

To support Beijing-based choreographer Yang Zhen’s ongoing research on Chinese communities in Japan, as part of a global inquiry into Chinese identity and its representation.

An online hybrid structure of Performing Arts Meeting in Yokohama (TPAM) 2021, an international platform for performing arts professionals of Asia and the world

TPM Exchange is a set of exchange opportunities organised as an essential part of TPAM - Performing Arts Meeting in Yokohama, an international platform for performing arts professionals that facilitates information sharing, discussion, mutual learning and networking among 1,000 individual participants from around 45 countries/regions of the world.

to support the participation of the Wooster Group in Sound Live Tokyo in December 2015

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Yin-Ying Lee

To study traditional Noh in Japan and explore the similarities and dissimilarities of embodiment in different Eastern performance practices.

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