University of Hawaii, Department of Theatre and Dance/Asian Theatre Program
to bring Benny Sokkang to participate in theater project
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to support the participantion of Tibetan lama and playwright Ugyen Wangdi in the development of a new performance work
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to support the participation of scholars Ma Erzi and Bamo Qubumo from China in an exhibition of Nuosu arts at the university's Burke Museum in spring 2000
To enable Indonesian musician Burham Sukarma to serve as visiting lecturer in the School of Music during the 1986-87 academic year
to enable Dr. Dao Duy Anh, dan abo and dan tranh performer, Saigon, Vietnam, and T'ao Chu-Shen, ch'in and hsiao performer, Taipei, Republic of China, to serve as a visiting artists-in-residence at the School of Music, University of Washington, during the 1975-76 academic year.
to provide for the duplication and shipment to the National Classical Music Institute, Seoul, Korea, of tape recordings of performances by members of the institute produced by Robert Garfias, associate professor of music and anthropology, University of Washington, in the Philippines-Korea Music Archives Project.
to enable T. Brinda, voice and vina teacher, Karnatic College of Music, Madras, India, to travel with an accompanist to Seattle to serve as an artist-in-residence.
To enable Robert Garfias, assistant professor of music, University of Washington, to direct a project to record and film the traditional music and dance of Korea and the Philippines and to establish archives in Korea, in the Philippines, and at the University of Washington
To enable the following architecture students from the United States to participate in a seminar in Japan on environmental design, summer 1965, under the direction of Eiji Itoh, research associate, University of Tokyo, and Philip Thiel, associate professor, College of Architecture and Urban Planning, University of Washington: Thomas Bender, Christopher Chadbourne, Eric Doepke, Ann Esch, Ronald Fleming, Thomas Moran, Roger Pool, James Stanek, Edward Tower
to provide for the production of The Monkey and the Fox: Kyogen in America, a film of the Nomura troupe of Kyogen actors on tour in the United States.
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undertake technical training in May 1999 at the Smithsonian Institution in Washington, DC and at the IBM Watson Research Laboratories in Yorktown
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Airfare and hotel expenses for participation in USITT conference in Long Beach, California, March 1999.
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observe the management of alternative art spaces and meet with artists, curators, and arts managers in the U.S.
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to observe traditional and contemporary art activities in Japan and to undertake research on women in the arts in the late nineteenth and early twentieth centuries
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Participation in the Indonesia and Japan segments of the Triangle Arts Program in fall
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observe contemporary theater activities and study physical theater in the U.S.
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to enable harpsichordist William Tim Read, countertenor Derek Lee Ragin, and bassist Gary Karr to participate in the 12th Yatsugatake Kogen Music Festival in Nagano, Japan, in September 1999
to enable the Kronos Quartet and David Hykes and the Harmonic Choir to participate in the 11th Yatsugatake Music Festival in September 1998
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