Joan Morris
to participate in the 6th International Shibori Symposium and related events in Tokyo, Nara, and Nagoya in May 2005
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Search / Filter GranteesMuto Daisuke
six-month fellowship to pursue research on American modern and post-modern dance history and to observe contemporary dance activities in the United States
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six-week fellowship to study collections of Himalayan art and observe museum practices at the Asian Art Museum of San Francisco, the Newark Art Museum, and the Smithsonian Institution
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support participation of scholar Benedict Anderson in symposium to be held at the Museum in early December 2005 in connection with the exhibition, pang-ulo: Philippine ideas on heads, headgear and heads-of-community
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to enable Roger S. Keyes to undertake curatorial research and planning in Japan and Europe for an exhibition of Japanese illustrated books to be presented at the Library in fall 2006
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to observe theater activities, attend performances, and carry out research in Philippine-American communities in the United States
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six-month fellowship to observe contemporary art activities, meet with artists and curators, and participate in an international residency program in the United States
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ten-month fellowship to complete a program of study leading to the an Master of Arts degree in Performing Arts Administration degree at New York University
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two-week grant to undertake research in New York for an exhibition at the Contemporary Art Center, Art Tower Mito, in Japan
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three-month fellowship to observe traditional and contemporary art, meet with artists and curators, and create new work in Japan
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six-month fellowship to study acting and observe contemporary theater activities in the United States
six-month fellowship to study acting and observe contemporary theater activities in the United States
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support the participation of seven artists from the Shaanxi Folk Art Theatre in the rehearsal, development and performance of Cathay: Three Tales of China in the United States for 3-1/2 months beginning August 2005
to support the participation of four theater artists from Japan in the American rehearsals and performances of director Ping Chong's puppet theater production, Obon: Tales of Rain and Moonlight, during 2001-2002
to enable managing director Bruce Allardice to travel to Japan in February 1995 to participate in the production of Ping Chong's Undesirable Elements in tokyo and to prepare for the later production of Deshima at the tokyo International Theater Festival in fall 1995.
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