Cho Min
To observe contemporary arts activities, meet with artists and curators, and create new work in New York.
Learn MoreTo observe contemporary arts activities, meet with artists and curators, and create new work in New York.
Learn MoreTo study lighting design at Indiana and Yale Universities and to observe theater activities in New York.
Learn MoreTo study modern dance and observe contemporary dance activities at the American Dance Festival and in New York.
Learn MoreTo enable Indonesian dance scholar Sal Murgiyanto and choreographer Lin Hwai-Min from Taiwan to participate in the Dance/USA International Round Table, held in Philadelphia in May 1990.
Learn MoreTo continue to collaborate with Professor John Emigh of Brown University on the translation and annotation of the Orissan play Prahlada Nataka and to survey theater activities in the United States.
Learn MoreTo support lecture-demonstrations and a radio series organized in conjunction with the Festival of Indonesia being held in the United States in 1991 and 1992.
to support a meeting of American and Indonesioan specialists on Indonesian performing arts in San Francisco in spring 1988 to plan the performing arts activities to be included in the Festival of Indonesia.
Learn MoreTo study modern dance and observe contemporary dance activities at the American Dance Festival and in New York.
Learn MoreTo complete a program of study in dance and choreography leading to the M.F.A. degree at the Tisch School of the Arts, New York University, during 1990-91.
Learn MoreTo enable two American scholars to participate in the 31st World Conference of the International Council for Traditional Music held at the Chinese University of Hong Kong in July 1991.
Enable Jose Maceda, professor of music, Univeristy of the Phillippines, to participate in the 27th Congress of the International Council for Traditional Music held at Columbia University in Auguest 1983.
Learn MoreTo enable American composer Roger Reynolds to participate in workshops at the Japan Performing Arts Center in connection with the development of a performance work, "Outrage the Limits of Man."
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