Search / Filter GranteesCredit Suisse Arts Management Fellowship to support a professional in arts administration of Columbia University to conduct a two -week workshop for arts managers organized by the Chinese University of Hong Kong graduate program.
Learn Moreresearch on Buddhist sculpture in India, Bangladesh, and perhaps Bhutan
To undertake research for a book tentatively entitled Gender and Biography in Buddhism.
Learn Moreobserve contemporary art activities in New York in May 2006 and to receive the JDR 3RD Award
JDR3rd Award recipient with his wife Mella Jaarsma
Learn Moreto enable T. Vegavahini to serve as a resident artist with the Bala Music and Dance Association in the U.S. in spring 2007
to enable dance specialist and vocalist Vidya Shankaranarayanan from Madras to serve as an artist-in-residence at the Balasaraswati School during 1997
to provide partial support for the residency of Carnatic vocalist Usha Shivakumar at the Balasaraswati School of Indian Music and Dance in 1991-92
Learn Moreto pursue research in Japan on Okinawan music and dance and on the life and writings of Masuji Ibuse, in connection with the development of a new performance work, The Other Here.
Learn Moretwo-month fellowship to conduct a series of interview with Japanese composers in preparation for a book on the 21st century practice of music composition in Japan
Learn Moreair fare/per diem support for Manami Kimura in a new theater project in New York
Learn Moreone-month fellowship to continue research in India in August 2007 for the Art of the Procession, a monograph on South Asian bronzes used as festival icons
Learn Moreto exhibit work in Hong Kong at the conclusion of residency in the architectural department at the Chinese University of Hong Kong
Learn Moreone-month fellowship to pursue research in Indonesia in connection with publication of a book on contemporary Indonesian theater
To pursue Ph.D. dissertation research on contemporary theater in Indonesia in 1994-95.
Learn Moreto enable a curatorial team from the Academy and the Asian Art Museum of San Francisco to travel to Bhutan in fall 2006 to continue research and planning for an exhibition on arts of Bhutan to be held in 2008
to enable a curatorial team from the Academy and the Asian Art Museum of San Francisco to travel to Bhutan to undertake research and planning for an exhibition on arts of Bhutan to be held in 2008
to continue, in collaboration with the Bernice P. Bishop Museum, Honolulu, a pilot museum training program for the Asia-Pacific area and to enable the following participants to survey museums in the United States: Ajit Simba P. Bais, the National Children's Museum, New Delhi, India; Kai Sen Chew, National Museum, Singapore; Charles C. Y. Chi, National Palace Museum, Taipei, Republic of China; Joseph I. A. Gasing, Sarawak Museum, Kutching Malaysia; Abdul Latif Ibrahim, Muzium Brunei, Bandar, Malaysia; Iftikhar Alam Khan, Aligarh Muslim University, India; Sadao Kosuge, National Science Museum, Tokyo, Japan; Byung Hoon Lee, National Science Museum, Seoul, Korea; Nan Young Lee, National Museum of Korea , Seoul, Korea; Pranowo Martodiardjo, the National Biological Institute, Bogor, Indonesia; Takeshi Ogiwara, National Museum of Western Art, Tokyo, Japan; Mohan Chandra Pande, State Museum, Lucknow, India; Aurora Pelayo, Cultural Research Center, Silliman University, Dumaguete City, Dumaguete City, Philippines; Rosario B. Tantoco, National Museum of the Philippines, Manila, Philippines.
To establish, in collaboration with the Bernice P. Bishop Museum, Honolulu, a pilot museum training program for the Asia-Pacific area and to enable the following participants to survey museums in the United States: Ajit Simba P. Bais, the National Children's Museum, New Delhi, India; Kai Sen Chew, National Museum, Singapore; Charles C. Y. Chi, National Palace Museum, Taipei, Republic of China; Joseph I. A. Gasing, Sarawak Museum, Kutching, Malaysia; Abdul Latif Ibrahim, Muzium Brunei, Bandar, Malaysia; Iftikhar Alam Khan, Aligarh Muslim University, India; Sadao Kosuge, National Science Museum, Tokyo, Japan; Byung Hoon Lee, National Science Museum, Seoul, Korea; Nan Young Lee, National Museum of Korea , Seoul, Korea; Pranowo Martodiardjo, the National Biological Institute, Bogor, Indonesia; Takeshi Ogiwara, National Museum of Western Art, Tokyo, Japan; Mohan Chandra Pande, State Museum, Lucknow, India; Aurora Pelayo, Cultural Research Center, Silliman University, Dumaguete City, Philippines; Rosario B. Tantoco, National Museum of the Philippines, Manila, Philippines
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