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Ming Xue

To understand the process of Tibetan Buddhist art making in response to the contemporary art markets in China by looking at the sketches and sketchbooks of Rebgong thangka painters.

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Edward Herbst

To restore and edit, research and interpret, document, explain, and repatriate extensive film footage and photographs taken in Bali by Gregory Bateson (in collaboration with Margaret Mead between 1936–39) and by Jane Belo from 1931–38 with a focus on childhood in 1930s Bali, including games and free play; dance and drama; rites of passage; trance; ritual activities; and everyday life.

(Bali 1928 and Library of Congress-to-Bali Repatriation Project) to support research and documentation leading to the re-release and repatriation of the first published recordings of music in Bali, and extensive film footage and photographs taken between 1930 and 1939

(Bali 1928 and Library of Congress-to-Bali Repatriation Project) to support research and documentation leading to the re-release and repatriation of the first published recordings of music in Bali, and extensive film footage and photographs taken between 1930 and 1939

To conduct research in Indonesia concerning repatriation strategies for the first published recordings of music in Bali

Next stage of research among older musicians and performing artists in Bali in connection with annotated study of archival recordings

to participate in a seminar on Indonesian performing arts to be held at the National Academy of the Arts in Solo and to undertake music research in Bali

to conduct resarch in Indonesia on the role of vocal music in the performing arts of Bali

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Chihsuan Yang

To study, explore and immerse in art forms and musical styles unique to Taiwan and inspire new culturally diverse music compositions that strengthen the bridge between cultural divides and blurs the lines of genre classifications.

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Kayla Briët

To conduct research on Taiwanese, Chinese, and Southeast Asian diaspora communities, histories, culture, and truth and reconciliatory practices in Taiwan and beyond.

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Japan Center, Pacific Basin Arts Communication

To support Beijing-based choreographer Yang Zhen’s ongoing research on Chinese communities in Japan, as part of a global inquiry into Chinese identity and its representation.

An online hybrid structure of Performing Arts Meeting in Yokohama (TPAM) 2021, an international platform for performing arts professionals of Asia and the world

TPM Exchange is a set of exchange opportunities organised as an essential part of TPAM - Performing Arts Meeting in Yokohama, an international platform for performing arts professionals that facilitates information sharing, discussion, mutual learning and networking among 1,000 individual participants from around 45 countries/regions of the world.

to support the participation of the Wooster Group in Sound Live Tokyo in December 2015

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Chien Chien Lu

To have Chien Chien Lu and members of her jazz ensemble to conduct workshops, training, and exchanges with the Nanguan musicians of Gang-a Tsui Theater.

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Taiwan Film & Culture Association

To provide support for Charles McCarry to travel to Taiwan to participate in the workshop “MINIATURE-NIFICENT – Workshop of Miniature’s Application of Movie Visual Effects”.

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American Dance Festival

For an oral history of ADF’s role in nurturing the development of contemporary dance in China, beginning in the 1980s, until the present.

to enable four dance professionals from the U.S. to travel to China to work towards fostering partnerships with several companies and academies across the country

to supplement a 2018 grant supporting the participation of 4 dance artists from Southeast Asia in the American Dance Festival's 2019 International Choreographers Residency Program

a Project Grant to enable 4 dance artists from Southeast Asia to participate in the American Dance Festival in summer 2019

A Project Grant to enable 5 dance artists and 1 dance scholar from Southeast Asia to participate in the American Dance Festival in summer 2018

to support Indonesian dance artist Ali Sukri's participation in the 2014 International Choreographers Residency Program

to enable two choreographers from Henan University to participate in the International Choreographers Residency Program in summer 2011

for the participation of eight dancers from China in the International Choreographers Residency Program at ADF in summer 2011

to enable ADF co-director Jodee Nimerichter to travel to Shanghai in January 2006 to discuss with partner organizations there plans for an American Dance Festival program in China

to enable Indonesian dance artist Martinus Miroto to participate in the International Choreographers Commissioning Program at ADF in summer 2005

to enable Dai Jian from Guangdong, China, to participate in ADF's six-week school in summer 2004

support for choreographer Akiko Kitamura to participate in the International Choreographers Commissioning Program in summer 2003

support for ADF co-director Stephanie Reinhart and project consultant Chiang Ching to travel to China in April 2001 to explore possibilities for an ADF program in China

to support the participation of choreographers Li Hanzhong and Ma Bo in the ADF International Choreographers Program

to support the fall 1997 American tour of the Guangdong Modern Dance Company

to support the participation of Guangdong Modern Dance Company choreographer Shen Wei in ADF's 1995 International Choreographers Commisioning Program

to enable dance scholars Malbourg Kim from Korea and Sal Murgiyanto from Indonesia to attend the International Dance Critics Conference at the American Dance Festival in summer 1994

to enable three dance critics from Asia to attend the Dance Critics' Conference at the American Dance Festival in summer 1993

to enable members of the Guangdong Modern Dance Company to study and perform at the American Dance Festival in summer 1991

to enable four choreographers and dancers from China participating in the summer 1986 Festival to spend one month in New York observing dance activities

to support the participation of three choreographers from Asia in the International Choreographers' Workshop at the American Dance Festival in summer 1985

to support the participation of modern dance companies from Indonesia and the Philippines in the Festival's fiftieth anniversary program held at Duke University in summer 1984

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