Ming Xue
To understand the process of Tibetan Buddhist art making in response to the contemporary art markets in China by looking at the sketches and sketchbooks of Rebgong thangka painters.
Learn MoreTo understand the process of Tibetan Buddhist art making in response to the contemporary art markets in China by looking at the sketches and sketchbooks of Rebgong thangka painters.
Learn MoreTo study rhythmic modes and any associated mythologies of Kulintang music, as well as to research José Maceda's work connecting avant-garde and indigenous Philippine music.
Learn MoreTo undertake a comparative study of the influence of popular and vernacular cultures in East and Southeast Asia on contemporary art.
Learn MoreTo restore and edit, research and interpret, document, explain, and repatriate extensive film footage and photographs taken in Bali by Gregory Bateson (in collaboration with Margaret Mead between 1936–39) and by Jane Belo from 1931–38 with a focus on childhood in 1930s Bali, including games and free play; dance and drama; rites of passage; trance; ritual activities; and everyday life.
(Bali 1928 and Library of Congress-to-Bali Repatriation Project) to support research and documentation leading to the re-release and repatriation of the first published recordings of music in Bali, and extensive film footage and photographs taken between 1930 and 1939
(Bali 1928 and Library of Congress-to-Bali Repatriation Project) to support research and documentation leading to the re-release and repatriation of the first published recordings of music in Bali, and extensive film footage and photographs taken between 1930 and 1939
To conduct research in Indonesia concerning repatriation strategies for the first published recordings of music in Bali
Next stage of research among older musicians and performing artists in Bali in connection with annotated study of archival recordings
to participate in a seminar on Indonesian performing arts to be held at the National Academy of the Arts in Solo and to undertake music research in Bali
to conduct resarch in Indonesia on the role of vocal music in the performing arts of Bali
Learn MoreTo study, explore and immerse in art forms and musical styles unique to Taiwan and inspire new culturally diverse music compositions that strengthen the bridge between cultural divides and blurs the lines of genre classifications.
Learn MoreTo conduct research on Taiwanese, Chinese, and Southeast Asian diaspora communities, histories, culture, and truth and reconciliatory practices in Taiwan and beyond.
Learn MoreTo support Beijing-based choreographer Yang Zhen’s ongoing research on Chinese communities in Japan, as part of a global inquiry into Chinese identity and its representation.
An online hybrid structure of Performing Arts Meeting in Yokohama (TPAM) 2021, an international platform for performing arts professionals of Asia and the world
TPM Exchange is a set of exchange opportunities organised as an essential part of TPAM - Performing Arts Meeting in Yokohama, an international platform for performing arts professionals that facilitates information sharing, discussion, mutual learning and networking among 1,000 individual participants from around 45 countries/regions of the world.
to support the participation of the Wooster Group in Sound Live Tokyo in December 2015
Learn MoreTo have Chien Chien Lu and members of her jazz ensemble to conduct workshops, training, and exchanges with the Nanguan musicians of Gang-a Tsui Theater.
Learn MoreTo provide support for Charles McCarry to travel to Taiwan to participate in the workshop “MINIATURE-NIFICENT – Workshop of Miniature’s Application of Movie Visual Effects”.
Learn MoreTo travel to Yunnan, China to undertake six-months of study on tie-dyed indigo fabrics among the Bai people.
Learn MoreFor an oral history of ADF’s role in nurturing the development of contemporary dance in China, beginning in the 1980s, until the present.
to enable four dance professionals from the U.S. to travel to China to work towards fostering partnerships with several companies and academies across the country
to supplement a 2018 grant supporting the participation of 4 dance artists from Southeast Asia in the American Dance Festival's 2019 International Choreographers Residency Program
a Project Grant to enable 4 dance artists from Southeast Asia to participate in the American Dance Festival in summer 2019
A Project Grant to enable 5 dance artists and 1 dance scholar from Southeast Asia to participate in the American Dance Festival in summer 2018
to support Indonesian dance artist Ali Sukri's participation in the 2014 International Choreographers Residency Program
to enable two choreographers from Henan University to participate in the International Choreographers Residency Program in summer 2011
for the participation of eight dancers from China in the International Choreographers Residency Program at ADF in summer 2011
to enable ADF co-director Jodee Nimerichter to travel to Shanghai in January 2006 to discuss with partner organizations there plans for an American Dance Festival program in China
to enable Indonesian dance artist Martinus Miroto to participate in the International Choreographers Commissioning Program at ADF in summer 2005
to enable Dai Jian from Guangdong, China, to participate in ADF's six-week school in summer 2004
support for choreographer Akiko Kitamura to participate in the International Choreographers Commissioning Program in summer 2003
support for ADF co-director Stephanie Reinhart and project consultant Chiang Ching to travel to China in April 2001 to explore possibilities for an ADF program in China
to support the participation of choreographers Li Hanzhong and Ma Bo in the ADF International Choreographers Program
to support the fall 1997 American tour of the Guangdong Modern Dance Company
to support the participation of Guangdong Modern Dance Company choreographer Shen Wei in ADF's 1995 International Choreographers Commisioning Program
to enable dance scholars Malbourg Kim from Korea and Sal Murgiyanto from Indonesia to attend the International Dance Critics Conference at the American Dance Festival in summer 1994
to enable three dance critics from Asia to attend the Dance Critics' Conference at the American Dance Festival in summer 1993
to enable members of the Guangdong Modern Dance Company to study and perform at the American Dance Festival in summer 1991
to enable four choreographers and dancers from China participating in the summer 1986 Festival to spend one month in New York observing dance activities
to support the participation of three choreographers from Asia in the International Choreographers' Workshop at the American Dance Festival in summer 1985
to support the participation of modern dance companies from Indonesia and the Philippines in the Festival's fiftieth anniversary program held at Duke University in summer 1984
Learn More2021 John D. Rockefeller 3rd Award
To participate in the International Studio Program at the Institute of Contemporary Art, P.S. 1, in New York, beginning in September 1995
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