Murakami Takashi
2024 John D. Rockefeller 3rd Award
To participate in the International Studio Program at the Institute of Contemporary Art, MoMA PS1 in New York in 1994-95
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Search / Filter GranteesHuong Ngo
To 3D scan and mold objects, architecture, and spaces in Vietnam that have triggered memories for overseas Vietnamese generations.
Learn MoreArchie Luigi Oclos
To conduct research within Coney Island where Philippine indigenous tribes were once paraded as savages in 1905, aiming to rediscover the experience of forced diaspora, generational trauma, and racial & historical injustice brought upon Filipinos.
Learn MoreArlette Quynh-Anh Tran
To meet organizations, art spaces, and artists with cross-disciplinary and cross-community practices, particularly involving Asian artists and their presence in the New York art scene.
Learn MoreLydia Yee
To undertake a comparative study of the influence of popular and vernacular cultures in East and Southeast Asia on contemporary art.
Learn MoreYunhui Hong Charpentier
To conduct research on how people have translated Japanese and Korean by focusing on the violence/hospitality of translation, as well as on how "healing" has been socially and culturally represented in South Korea on the theme of "healing colonial violence and its traumas.”
Learn MoreChin Wai "Luke" Ching
To further his exploration on how to envisage and realize the role of the artist as a citizen, by researching on the empathetic imagination and how art can be used as an intervention in life.
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To visit research units in New York to explore the convergence between art, interdisciplinary technology and life sciences: “Interdisciplinary, Physiographical, and Hydrological Exploration and Cooperation Research Project.”
Learn MoreCorinne De San Jose
To research contemporary sound art, specifically sound art as site- specific installations, as well as public art around New York City.
Learn MoreYuki Kobayashi
To conduct research on the Chinese Martial Art “Wing Chun” to develop a long-term project, as well as to exchange with Hong Kong-based performance artists.
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To investigate the movement probing interdisciplinary expression that emerged in the "anti-art" movement centered in New York City after World War I and to explore the possibilities of interdisciplinary expression to date.
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To research art and technology trends in Japan and Korea through a two-pronged approach: to respond to technological and artistic demands globally through forms of expression that integrate the latest technologies; and, to incorporate technology into historical and cultural contexts in Hong Kong to usher in new creative practices.
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