Melisa Tien
To study and understand two matriarchal, thousand-plus-year-old societies – the Mosuo, or Na people, of China, and the Minangkabau of Indonesia – leading to a work of theater or musical-theater inspired by the experience.
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To conduct research on creations, workshops, lessons, and classes are held at various rehearsal spaces in NYC and the attitude of actors and dancers towards rehearsals.
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To conduct research on creations, workshops, lessons, and classes are held at various rehearsal spaces in NYC and the attitude of actors and dancers towards rehearsals.
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To promote cultural exchange as well as to observe, consult, and learn from scholars and artists in interculturalism to create new performance styles and develop techniques as a jingju (Chinese Opera) practitioner seeking to update the traditional art form.
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To observe artistic practices across disciplines and consider the two-way exchange between Indigenous culture and contemporary art.
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An online hybrid structure of Performing Arts Meeting in Yokohama (TPAM) 2021, an international platform for performing arts professionals of Asia and the world
to support the participation of the Wooster Group in Sound Live Tokyo in December 2015
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To research "Democracy's Body"— the trend of alternative theater in New York City after World War II.
To research "Democracy's Body"— the trend of alternative theater in New York City after World War II.
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To travel to Indonesia and Vietnam to meet and research with collaborators of "TERASIA - Theatre for Traveling in the Age of Isolation," a long-term project exploring views on life and death in various parts of Asia.
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To visit new play development centers in New York City and interview literary managers, resident dramaturgs, and playwrights-in-residence.
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For collaborative exploration of historical sites of memory for gay men in Taipei, Seoul, and New York, resulting in site-specific digital performances connecting the experience of these communities.
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to research traditional and contemporary theater in India beginning in spring 2015
To observe contemporary theater and performance activities in the United States in 1994.
To observe contemporary theater and performance activities in the United States in 1994.
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To continue in the fourth year of a Ph.D. program in theater and performance at The Graduate Center, CUNY.
To continue in the third year of a Ph.D. program in theater and performance at The Graduate Center, CUNY
to continue in the second year of a Ph.D. program in theater and performance at The Graduate Center, CUNY
A 1-year Graduate Scholarship to provide for travel and living expenses during the first year of a Ph.D. program in theater and performance at The Graduate Center, CUNY
for a six-month grant to observe contemporary theater activities and to be in residence as a visiting scholar at the Martin E. Segal Theatre Center in New York City, beginning in fall 2016.
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