Melia Belli Bose
to support an eight-month period of research on contemporary art and architecture in Bangladesh
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Search / Filter GranteesClark Art Institute
support participation by three scholars from Asia in the Clark Institute/Asia Society conference Asian Art History in the Twenty-first Century
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Provide support for Asian participation in the International Symposium on Chinese Painting held at the Cleveland Museum in March 1981 in conjunction with the exhibition Eight Dynasties of Chinese Painting organized jointly by the Cleveland Museum and The Nelson-Adkins Museum of Art, Kansas City.
to provide support for a symposium held in conjunction with the exhibition Chinese Art Under the Mongols, October 1968, and to enable the following specialists in Chinese art to participate in the symposium: James Cahill, Department of Art, University of California, Berkeley, Unites States; Margaret Medley, Percival David Foundation of Chinese Art, London, England; Kei Suzuki, the Institute of Oriental Culture, Tokyo University, Japan; Beatrix von Ragu.
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for research in Japan on the imagery of religious woodcuts produced in the "Golden Age" of Chinese printmaking
to undertake dissertation research Chinese Daoist paintings in American collections in order to fulfill requirements for the Ph.D degree at Yale University
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to support a three-week research trip exploring ways in which the Yogyakarta art community integrates traditional and contemporary arts
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a two-week grant to support research and documentation of three key sites designed by Isamu Noguchi in Japan
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to support four New Museum curators to conduct curatorial research in Indonesia, Cambodia, Vietnam, and India in 2010
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to support two participants from the United States in the 2014–15 International Speakers Program of the Sri Lanka Archive of Contemporary Art, Architecture and Design **See Notes section for an update**
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for a two-year period of research and writing that will culminate in the publication of a book presenting the lives of seventeen female ACC grantees from mainland China, Hong Kong, Macau, and Taiwan
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to support the participation of Chinese artists in public programs around the opening of Blooming in the Shadows: Unofficial Chinese Art 1974 – 1985 at the China Institute Gallery in September 2011.
to enable Duan Wenjie, director of the Dunhuang Research Institute in China, to lecture on Mogao murals at the China Institute in American and to visit museums and arts organizations in the New York area
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to support three weeks of research and meetings with design educators and leading professional designers in China, with the goal of documenting the origins of contemporary design and the complexities of information exchange in China
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