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San Jose Museum of Art

a Project Grant to support the participation of four speakers from Southeast Asia in public programming related to the exhibition Dinh Q. Le: True Journey is Return

A travel grant to support the participation of the three members of The Propeller Group, from Vietnam, in community outreach activities related to an exhibition of their work at the San Jose Museum of Art

to support travel research for San Jose Museum of Art 's director, Susan Krane, and associate curator, Kristen Evangelista, to travel to India in 2011.

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St. Ann's Warehouse

a Project Grant to support a 2-month internship at St. Ann's Warehouse for Leonhard Lutgenhorst

Support the participation of Korean dancer Sang Won Kang in the development and performance of Maya, a new work presented at Trinity College and the St. Ann Center in the early 1990's.

To support the production of The Ritual of Solomon's Children by Indonesian theater company Teater Rendra at the St. Ann Center as part of the New York International Festival of the Arts in June 1988 and to enable members of the company to observe performing arts activities in New York

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Tomoko Sugawara

A 3-month Individual Fellowship to research Tang dynasty music at the Shanghai Conservatory, and visit the Dunhuang caves in China

to lead a workshop on the kugo at Beijing’s Central Conservatory in November 2014

for research and study in the U.S. on the history of the angular harp in East and Central Asia

study and pursue research in the U.S. on the history of the angular harp in East and Central Asia

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Wooster Group

A Project Grant to support a 1-week artistic exchange in Japan, including workshops with theater director Toshiki Okada and research on Noh theater in Kyoto

A Project Grant to support a 1-week artistic exchange in Japan, including workshops with theater director Toshiki Okada and research on Noh theater in Kyoto

To support research in 2013 by The Wooster Group in Hong Kong and Shanghai towards the development of their new theater production "Murder in San José" by Hong Kong playwright and 2004 ACC grantee Candace Chong Mui-Ngam

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