With highly curated light and staging, Yasuno Miyauchi transforms the Issue Project Room into a ritual space.

Her work explores the expressive potential of collective singing, with an emphasis on performative affect, spatial distribution of vocal spectra; and the ecstasy of extended repetition, featuring choreographed bodily movement—providing the musical timeline with an accompanying visual narrative—all with the ultimate goal of binding female bodies and their voices to a site of radical perceptual experience.