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Alifiyah Zulfiqar Imani

To engage with female practitioners influencing the Hindustani classical music genre Dhrupad's contemporary performance, following the genre’s historical trajectory, oral transmission, the overlooked lives of female practitioners, and the impact of technology on the genre.

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Minori Ishikawa

To research literary and artistic practices in the United States and study how minority stories have been told in the country to discover new or alternative storytelling and styles of writing in Japanese.

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Salma Jamal

To be inspired and inspire other artists and collectives in New York whose practice is centered on communities, focusing on the exploration of art activism and social practice art in a new context.

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Woojin Kim

To research the endangered minority language situation and language policy in East Timor and Indonesia and conduct research and interviews on the digital extinction of verbal and written languages, with a focus on Asian languages in United States.

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Benjamin Kimitch

To embody classical dance forms and shadow performing artists Yasuko Yokoshi and Fumiya Otonashi on their daily studio practice and artistic craft, grounded in Nihon Buyo recital dance and Gagaku court performance traditions.

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Akil Kumarasamy

To research how ancient spiritual practices co-exist in modern cities like Tokyo by understanding traditions of itakos (blind female seers) and energy reiki healers, and how they fit into remote and urban areas of Japan.

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Ausen Lee

To visit different communities involved in independent art in Indonesia, history, reflective architecture, and culture in Hiroshima and Okinawa, and contemporary art in Thailand to understand the spirit of collaboration in different political situations and cultures.

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Jacqueline Leung

To conduct research on literary translations for Hong Kong writing originally in Chinese and translated into English, as well as between disciplines such as novels to theatre/visual art/film.

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Joshua Lloyd Lim So

To conduct research on innovative ways of staging and writing performances, informing a project about Filipinx experiences in the United States and the clash of cultures and generations.

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Jr-Shin Luo

To examine the innovative pathways for an artist’s career by being immersed in New York’s diverse art scene and observing the integration of art and culture with commercial applications.

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Kimi Maeda

To transform an abandoned house (akiya) in Japan's rural Shimane Prefecture into an immersive performance piece and oral history collection for the project, "Ichi Oku House" (一憶ハウス ).

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