Chen Qiulin
six-month fellowship to observe contemporary arts activities, meet with artists and curators and, create new work in the United States
了解更多six-month fellowship to observe contemporary arts activities, meet with artists and curators and, create new work in the United States
了解更多air fare/per diem support for Manami Kimura in a new theater project in New York
了解更多To participate in the meetings of the European Association of Southeast Asdian Archaeologists in France in September 2006
3-month fellowship to enable him to study museum techniques for the management of ceramics collections beginning summer 2004
了解更多one-month fellowship to continue research in India in August 2007 for the Art of the Procession, a monograph on South Asian bronzes used as festival icons
了解更多six-month fellowship to observe contemporary art activities, meet with curators, and undertake research on Byzantine icon paintings in American collections
了解更多six-month fellowship to observe curatorial activities and visit contemporary art museums in the United States
了解更多to exhibit work in Hong Kong at the conclusion of residency in the architectural department at the Chinese University of Hong Kong
了解更多one-month fellowship to pursue research in Indonesia in connection with publication of a book on contemporary Indonesian theater
To pursue Ph.D. dissertation research on contemporary theater in Indonesia in 1994-95.
了解更多support creative residency by two members of Hakutobo with the Gang-A Tsui Theater Company in Taipei in summer 2006
了解更多ten-month fellowship to complete a Master of Fine Arts degree program in film, video, and new media at the School of the Art Insitute of Chicago in 2006-2007
ten-month fellowship to complete a Master of Fine Arts degree program in film, video, and new media at the School of the Art Institute of Chicago in 2006-2007
了解更多to undertake research on education programs in American art museums and to observe courses on art education and museum studies at Teacher's College, Columbia University, in fall 2006
了解更多to enable a curatorial team from the Academy and the Asian Art Museum of San Francisco to travel to Bhutan in fall 2006 to continue research and planning for an exhibition on arts of Bhutan to be held in 2008
to enable a curatorial team from the Academy and the Asian Art Museum of San Francisco to travel to Bhutan to undertake research and planning for an exhibition on arts of Bhutan to be held in 2008
to continue, in collaboration with the Bernice P. Bishop Museum, Honolulu, a pilot museum training program for the Asia-Pacific area and to enable the following participants to survey museums in the United States: Ajit Simba P. Bais, the National Children's Museum, New Delhi, India; Kai Sen Chew, National Museum, Singapore; Charles C. Y. Chi, National Palace Museum, Taipei, Republic of China; Joseph I. A. Gasing, Sarawak Museum, Kutching Malaysia; Abdul Latif Ibrahim, Muzium Brunei, Bandar, Malaysia; Iftikhar Alam Khan, Aligarh Muslim University, India; Sadao Kosuge, National Science Museum, Tokyo, Japan; Byung Hoon Lee, National Science Museum, Seoul, Korea; Nan Young Lee, National Museum of Korea , Seoul, Korea; Pranowo Martodiardjo, the National Biological Institute, Bogor, Indonesia; Takeshi Ogiwara, National Museum of Western Art, Tokyo, Japan; Mohan Chandra Pande, State Museum, Lucknow, India; Aurora Pelayo, Cultural Research Center, Silliman University, Dumaguete City, Dumaguete City, Philippines; Rosario B. Tantoco, National Museum of the Philippines, Manila, Philippines.
To establish, in collaboration with the Bernice P. Bishop Museum, Honolulu, a pilot museum training program for the Asia-Pacific area and to enable the following participants to survey museums in the United States: Ajit Simba P. Bais, the National Children's Museum, New Delhi, India; Kai Sen Chew, National Museum, Singapore; Charles C. Y. Chi, National Palace Museum, Taipei, Republic of China; Joseph I. A. Gasing, Sarawak Museum, Kutching, Malaysia; Abdul Latif Ibrahim, Muzium Brunei, Bandar, Malaysia; Iftikhar Alam Khan, Aligarh Muslim University, India; Sadao Kosuge, National Science Museum, Tokyo, Japan; Byung Hoon Lee, National Science Museum, Seoul, Korea; Nan Young Lee, National Museum of Korea , Seoul, Korea; Pranowo Martodiardjo, the National Biological Institute, Bogor, Indonesia; Takeshi Ogiwara, National Museum of Western Art, Tokyo, Japan; Mohan Chandra Pande, State Museum, Lucknow, India; Aurora Pelayo, Cultural Research Center, Silliman University, Dumaguete City, Philippines; Rosario B. Tantoco, National Museum of the Philippines, Manila, Philippines
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