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Yunhui Hong Charpentier

To conduct research on how people have translated Japanese and Korean by focusing on the violence/hospitality of translation, as well as on how "healing" has been socially and culturally represented in South Korea on the theme of "healing colonial violence and its traumas.”

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Chin Wai "Luke" Ching

To further his exploration on how to envisage and realize the role of the artist as a citizen, by researching on the empathetic imagination and how art can be used as an intervention in life.

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Chiao-Chi Chou

To visit research units in New York to explore the convergence between art, interdisciplinary technology and life sciences: “Interdisciplinary, Physiographical, and Hydrological Exploration and Cooperation Research Project.”

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Yuan Fu

To survey a range of artists, curators, writers, and institutions to chronicle the central themes and histories of ecologically responsive art projects, and activism since the 1960s in North America.

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Kan Fukuhara

To conduct research on creations, workshops, lessons, and classes are held at various rehearsal spaces in NYC and the attitude of actors and dancers towards rehearsals.

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Edward Herbst

To restore and edit, research and interpret, document, explain, and repatriate extensive film footage and photographs taken in Bali by Gregory Bateson (in collaboration with Margaret Mead between 1936–39) and by Jane Belo from 1931–38 with a focus on childhood in 1930s Bali, including games and free play; dance and drama; rites of passage; trance; ritual activities; and everyday life.

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Hsu Chia-Ming

To learn the traditional Japanese art forms focusing on Tokiwazu style Shamisen and Nihon-buyo, and by understanding their cultural context, to find further possibilities for the contemporary developments of traditional Taiwanese theater and music.

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Yuki Kobayashi

To conduct research on the Chinese Martial Art “Wing Chun” to develop a long-term project, as well as to exchange with Hong Kong-based performance artists.

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Nile Koetting

To investigate the movement probing interdisciplinary expression that emerged in the "anti-art" movement centered in New York City after World War I and to explore the possibilities of interdisciplinary expression to date.

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