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Linda Hoemar Abidin

participation in the Triangle Arts Program meeting a the Bates Dance Festival in August 1999

to complete a program of study in arts management leading to the M.A. degree at Teachers College, Columbia University, beginning in September 1996.

To study arts management in a program leading to the M.A. degree at Teachers College, Columbia University, beginning in September 1995.

To participate in the International Choreographers Program at the American Dance Festival in July 1988.

To continue to study modern dance at the Alvin Ailey American Dance Center in New York during the 1987-88 school year.

To study modern dance at the Alvin Ailey American Dance Center in New York

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I Wayan Dibia

Conduct workshops in Balinese dance at the Dong Soong Art Center in Korea with Ni Made Wiratini

Study modern dance and choreography and to observe dance activities in the United States from October 1980 to May 1981; and to study dance in a program leading to the M.A. degree at the UCLA beginning September 1981.

Study modern dance and choreography and to observe dance activities in the United States from October 1980 to May 1981; and to study dance in a program leading to the M.A. degree at the UCLA beginning September 1981.

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Nusantara Jaya Foundation

travel expenses for candidates coming to Jakarta in October 1998 to be interviewed for the IMDP internships

to enable Tedjo Susilo, head of the Indonesian Directorate of Museums, and Djoko Soejono, executive secretary of the Nusantara Jaya Foundation, to visit museums in the United States in connection with planning for the Indonesian Museum Development Program.

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Ni Made Wiratini

Conduct workshops in Balinese dance at the Dong Soong Art Center in Korea (with I Wayan Dibia)

Continue to study dance ethnology in a program leading to the M.A. degree at UCLA, during the 1989-90 academic year.

Continue to study dance ethnology in a program leading to the M.A. degree at UCLA, during the 1989-90 academic year.

To continue to study dance ethnology in a program leading to the M.A. degree at the University of California, Los Angeles, during the 1988-89 academic year.

To continue to study dance ethnology in a program leading to the M.A. degree at the University of California, Los Angeles, during the 1988-89 academic year.

To continue to study dance ethnology in a program leading to the M.A. degree at the University of California, Los Angeles, during the 1988-89 academic year.

To study dance ethnology in a program leading to the M.A. degree at the University of California, Los Angeles, during the 1987-88 academic year.

To study dance ethnology in a program leading to the M.A. degree at the University of California, Los Angeles, during the 1987-88 academic year.

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Los Angeles County Museum of Art

to participate in the Japan-U.S. Museum Professionals Exchange Program

to provide partial support for six textile specialists from Japan attending a program in American techniques for storage and handling of textiles at the Los Angeles County Museum of Art in fall 1992

to provide support for the production of the film Indian Sculpture, directed by Pratapaditya Pal, curator of Indian and Islamic art, Los Angeles County Museum of Art

to enable the following scholars to attend "Indian Art: A Symposium," October 1970, held in conjunction with an exhibition of the newly acquired Heeramaneck collection of Indian art, and to enable five of these scholars to survey museum collections in the United States and Europe: Dipak Chandra Bhattacharyya, Department of the History of Art, Punjab University, Chandigarh; M. N. Deshpande, Archaeological Survey of India, New Delhi; V. P. Dwivedi, National Museum, New Delhi; Sadashiv V. Gorakshkar, Prince of Wales Museum of Western India, Bombay; Brijinder Nath Goswamy, Department of the History of Art, Punjab University, Chandigarh; Karl Khandalavala, Prince of Wales Museum of Western India, Bombay; Umakant P. Shah, Oriental Institute, Baroda; Mary S. Slusser, Smithsonian Insitution, Washington, D.C.

to provide support for the exhibition Art Treasures from Japan, organized in cooperation with the Government of Japan and shown at the Los Angeles County Museum of Art, the Detroit Art Institute, the Philadelphia Museum of Art, and the Royal Ontario Museum, Toronto, September 1965-June 1966.

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Sejati Foundation

to survey management procedures at selected Indonesian cultural institutions and to plan and conduct management workshop for arts and cultural organizations in Indonesia

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