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Drama League of New York, Inc.

to support an exploratory visit to Beijing and Shanghai for key staff of The Drama League to lay a foundation for future exchange between theater directors from China and the U.S.

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FringeArts

To support the participation of playwright Toshiki Okada and performers from Japan on the U.S. tour of Okada’s newest project, God Bless Baseball, in January and February 2016.

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Japan Society

to support the participation of Japanese motion-graphic artist Nobuyuki Hanabusa in two creative residencies with his U.S. collaborators, with whom he will work on the multidisciplinary production of Yukio Shiba’s play Our Planet

To support the participation of artists from Japan in 1994-95 performing arts programs at the Japan Society.

to support a performance of Water Station by the contemporary Japanese theater group Tenkei Gekijo as part of the New York International Festival of the Arts in June 1988.

Japan Society Kabuki Program To the Japan Society, New York, to provide for the production and distribution in the eastern United States, in collaboration with Channel 13, New York, of a color videotape on Kabuki techniques as demonstrated by the Grand Kabuki Theater, Tokyo, while on tour in the United States.

To enable the Nomura troupe of Kyo-gen actors to present performances in cities and universities in the United States, January - March 1968.

To provide support for a performance and lecture-demonstration tour by the Hosho troupe of Noh actors to thirty-one cities in the United States, October 1966

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Ronald Jenkins

for a two-month grant to carry out research in Indonesia for a collaborative theater project involving a visual artist and choreographer from Indonesia

For partial support of a 12-month research trip to Indonesia to document, transcribe and translate performances of the Balinese ritual exorcism, Calon Arang, in Balinese villages to restore spiritual balance to the community.

three-month grant to undertake research on the comic narrators of topeng masked theater in Bali

to undertake a teaching and research residency at the National College of Arts (STSI) in Denpasar, Bali, beginning May 1996.

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Karen Kandel

to make a return trip to Japan in November/December 2006 to complete research and study in Japanese performance that was initiated last spring through her original ACC fellowship

three-month fellowship to study and observe classical Japanese dance and music and to interview geisha in Japan in connection with Geisha, a new production by TheatreWorks of Singapore

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Line Storm Productions

To enable American collaborators Elise Thoron and Karen Kandel to travel to Kyoto and Tokyo in order to prepare for the Japanese premiere of Recycling: Washi Tales in June 2016. (Fiscally sponsored by Fractured Atlas)

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Terry O'Reilly

to support collaborative work in Taiwan for a theater production planned to premiere in 2017

to support a three-month residency at Treasure Hill Artist Village in Taipei

two-month fellowship to develop a collaborative new work with the Guangxi Puppet Art Troupe of China and the Ming Ri Institute for Arts Education in Hong Kong

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Mohamad Ugoran Prasad

Theater Scholar, Yogyakarta: for a ten-month grant to continue in a program of study leading to the Ph.D. degree in theater from the City University of New York.

To begin a one-year program of study leading to the M.S. degree in performance studies at NYU

theater research and study at NYU's Department of Performance Studies or elsewhere in New York

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Spoleto Festival

to support the participation of Lihe Xiao in the world premiere of Paradise Interrupted in the 2015 season of Spoleto Festival.

to enable Ong Keng Sen to direct the American premiere of Michael Nyman's Facing Goya in the 2014 festival season

to support in its 2013 season Spoleto Festival USA’s first Japanese opera production, Toshio Hosokawa’s opera Matsukaze.

To support the 2012 production at Spoleto Festival USA of Guo Wenjing’s chamber opera Fengyiting, to be directed by acclaimed Armenian-Canadian film director Atom Egoyan.

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