Ramon Santos
To serve as visiting research scholar in ethnomusicology at the University of Illinois and at Indiana University during the 1988-89 academic year.
了解更多To serve as visiting research scholar in ethnomusicology at the University of Illinois and at Indiana University during the 1988-89 academic year.
了解更多To survey contemporary music activities, record new music performances, and interview composers in Japan in fall 1988.
了解更多To conduct research in Bali in summer 1987 on traditional drumming styles and on new trends in music composition.
了解更多To provide a supplement for the study of music and theater in Japan in fall 1987
To study Taiko drumming and Kyogen and to survey contemporary performing arts activities in Japan
了解更多To continue to study oboe as a special student at the Manhattan School of Music during the spring 1987 semester.
To continue oboe studies at the Manhattan School of Music under the supervision of Joseph Robinson during the 1986-87 academic year.
To continue oboe studies at the Manhattan School of Music under the supervision of Joseph Robinson during the 1986-87 academic year.
To continue oboe studies at the Manhattan School of Music under the supervision of Joseph Robinson during the 1986-87 academic year.
了解更多To present lecturs on contemporary music and to meet with composers and performers in Japan in October 1987.
了解更多To provide support for a concert and workshop at The Asia Society, New York, in October 1987.
了解更多To continue to study enthnomusicology in a program leading to the Ph.D. degree at University of Michigan during the 1986-87 academic year.
了解更多Ani Kavafian & Ida Kavafian - To participate in the "Music Today" festival in Tokyo in May 1986
了解更多To complete a program of study in violin performance leading to the Master of Music degree at the New England Conservatory during fall 1986
to continue to study music in a program leading to the Master of Music degree at the New England Conservatory during the 1985-86 academic year
了解更多To observe and participate in contemporary music activities in the United States.
To observe and participate in contemporary music activities in the United States.
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