Robert Linrothe
To pursue research on western Tibetan Buddhist monastic art of the twelfth to sixteenth centuries in Ladakh and Zangskar in summer 1994.
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Search / Filter GranteesMatsuo Megumi
To survey contemporary art activities and to study the work of non-profit arts organizations in the United States in 1995.
to survey contemporary art activitites and to study the work of non-profit organizations in the United States in 1995
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To enable artistic director Joseph Hanreddy and playwright Steven Dietz to travel to Japan in summer 1994 to confer with colleagues at the Institute of Dramatic Arts, Tokyo, in connection with the development of a collaborative theater piece based on the novel Silence by Shusaku Endo.
Enable Joseph Hareddy, artistic director of the Milwaukee Repertory Theater, to travel to Japan in June 1993 to collaborate with colleagues at the Uinstitute of Dramatic Arts, Tokyo, in developing international theatrical exchange programs.
To enable directors from the Milwakee Repertory Theater, Arena Stage, Stage West, and the Berkeley Repertory Theater to visit Japan in October 1986 to meet with director Tadashi Suzuki and discuss plans for a collaborative production of King Lear to be directed by Mr. Suzuki in the United States in 1988
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to survey major collections of Chinese painting and ceramics in the United States in summer 1995
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To participate in the International Studio Program at the Institute of Contemporary Art, MoMA PS1 in New York in 1994-95
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To undertake a residency at the Fabric Workshop in Philadelphia and to observe theatrical productions and costume design in New York in fall 1994.
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To begin a program of study in music composition leading to the Master of Music degree at The Boston Conservatory.
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To conduct Ph.D. dissertation research on seventeenth-century Buddhist wooden sculpture in Vietnam in summer 1995.
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Visit China at the invitation of the All China Dance Association in order to discuss current developments in Western dance and to review present plans in China for the creation of a national dance library in summer 1983.
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to provide programming assistance and support for travel, study, and cultural activities
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To enable Japanese choreograhers Hiako Horikawa and Yasunari Tamai to present performance and workshop programs at P.S. 122 in December 1994.
to support a performance by the contemporary Japanese performance group Dumb Type Theater as part of the New York International Festival of the Arts in June 1988
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To provide support for the collaboration of Asian artists on the production Big Wind in Asia in fall 1994.
Support the participation of artists from Asia in the San Francisico Mime Troupe's production of Offshore in summer 1993.
to enable theater director Dan Chumley to present workshops in Hong Kong and Tokyo in April 1992
to enable playwright Carlos de la Paz from the Philippine Educational Theater Association (PETA) in Manila to be in residence at the San Francisco Mime Troup in December 1991
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