Cho Mi Young
for a four-month grant to observe contemporary art activities, visit museums and galleries, and meet artists in New York
Learn Morefor a four-month grant to observe contemporary art activities, visit museums and galleries, and meet artists in New York
Learn Moreto support a journey to New York City to attend a wide variety of performances, study different movement techniques, and meet other artists
Learn Moreto support a program of study at the Bard College Conservatory of Music (grant supplement)
to support the expenses associated with a program of study at the Bard College Conservatory of Music
Learn Morefor a three-month grant to explore contemporary music activities in the United States
Learn Moreto enable you to explore contemporary music activities in the United States and carry out a residency in the music department at Harvard University.
Learn MoreEnable Tom Haar, photographer, New York, to serve as visiting professor of photography in spring 1983.
Learn MoreSupport for artists from Asia participating in the APPAN Conference in New York in Fall 2008.
Learn MoreFor research and creative exploration of contemporary music activities in the U.S.
Learn MoreTo attend and observe dance, music, and theater performances during a twelve-month stay in the U.S. beginning July 1, 2007.
Learn Moreten-month fellowship to complete a Master of Fine Arts degree program in film, video, and new media at the School of the Art Insitute of Chicago in 2006-2007
ten-month fellowship to complete a Master of Fine Arts degree program in film, video, and new media at the School of the Art Institute of Chicago in 2006-2007
Learn Moreto enable a curatorial team from the Academy and the Asian Art Museum of San Francisco to travel to Bhutan in fall 2006 to continue research and planning for an exhibition on arts of Bhutan to be held in 2008
to enable a curatorial team from the Academy and the Asian Art Museum of San Francisco to travel to Bhutan to undertake research and planning for an exhibition on arts of Bhutan to be held in 2008
to continue, in collaboration with the Bernice P. Bishop Museum, Honolulu, a pilot museum training program for the Asia-Pacific area and to enable the following participants to survey museums in the United States: Ajit Simba P. Bais, the National Children's Museum, New Delhi, India; Kai Sen Chew, National Museum, Singapore; Charles C. Y. Chi, National Palace Museum, Taipei, Republic of China; Joseph I. A. Gasing, Sarawak Museum, Kutching Malaysia; Abdul Latif Ibrahim, Muzium Brunei, Bandar, Malaysia; Iftikhar Alam Khan, Aligarh Muslim University, India; Sadao Kosuge, National Science Museum, Tokyo, Japan; Byung Hoon Lee, National Science Museum, Seoul, Korea; Nan Young Lee, National Museum of Korea , Seoul, Korea; Pranowo Martodiardjo, the National Biological Institute, Bogor, Indonesia; Takeshi Ogiwara, National Museum of Western Art, Tokyo, Japan; Mohan Chandra Pande, State Museum, Lucknow, India; Aurora Pelayo, Cultural Research Center, Silliman University, Dumaguete City, Dumaguete City, Philippines; Rosario B. Tantoco, National Museum of the Philippines, Manila, Philippines.
To establish, in collaboration with the Bernice P. Bishop Museum, Honolulu, a pilot museum training program for the Asia-Pacific area and to enable the following participants to survey museums in the United States: Ajit Simba P. Bais, the National Children's Museum, New Delhi, India; Kai Sen Chew, National Museum, Singapore; Charles C. Y. Chi, National Palace Museum, Taipei, Republic of China; Joseph I. A. Gasing, Sarawak Museum, Kutching, Malaysia; Abdul Latif Ibrahim, Muzium Brunei, Bandar, Malaysia; Iftikhar Alam Khan, Aligarh Muslim University, India; Sadao Kosuge, National Science Museum, Tokyo, Japan; Byung Hoon Lee, National Science Museum, Seoul, Korea; Nan Young Lee, National Museum of Korea , Seoul, Korea; Pranowo Martodiardjo, the National Biological Institute, Bogor, Indonesia; Takeshi Ogiwara, National Museum of Western Art, Tokyo, Japan; Mohan Chandra Pande, State Museum, Lucknow, India; Aurora Pelayo, Cultural Research Center, Silliman University, Dumaguete City, Philippines; Rosario B. Tantoco, National Museum of the Philippines, Manila, Philippines
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