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Shao Yen Chen

To meet local contemporary artists, theater directors, and choreographers in New York, examining how the natural and urban environments impact their artistic work.

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Jialu Chen

To expand her research into the history and material culture of the "self-combing sisters," women who left Mainland China (mostly Guangdong Province) in the early 1900s to work in Southeast Asia to support families back home.

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Wai Chong

To conduct research into the performance art scene, particularly observing the practices around Asian diaspora communities, and studying the history of how Asian bodies are portrayed in art.

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Bontaro Dokuyama

To learn about artistic practices in a multinational country, and research the history and cultural transmission of Japanese immigrants in the United States from the Meiji Restoration through World War II and the present.

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Don't Follow the Wind

To support American artist and curator contributions, conducting on-site research and interacting with displaced residents, for the Don't Follow the Wind exhibition through planning and development.

A 1-month grant supplement to adapt a disrupted project to enable U.S. and Japanese artists and curators to carry out research in Japan and through online meetings in connection with the English publication Don’t Follow the Wind, examining community and artistic responses to the ongoing crisis in the Fukushima Exclusion Zone

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Yu Wen Hung

To conduct field research into the materials she utilizes for her work and deepen the conceptual aspects of her multidisciplinary sculptures, propelling her artistic vision through engaging with art critics, scholars, and curators.

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Salma Jamal

To be inspired and inspire other artists and collectives in New York whose practice is centered on communities, focusing on the exploration of art activism and social practice art in a new context.

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Woojin Kim

To research the endangered minority language situation and language policy in East Timor and Indonesia and conduct research and interviews on the digital extinction of verbal and written languages, with a focus on Asian languages in United States.

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Ausen Lee

To visit different communities involved in independent art in Indonesia, history, reflective architecture, and culture in Hiroshima and Okinawa, and contemporary art in Thailand to understand the spirit of collaboration in different political situations and cultures.

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Jr-Shin Luo

To examine the innovative pathways for an artist’s career by being immersed in New York’s diverse art scene and observing the integration of art and culture with commercial applications.

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