Chan Ming Long
To study, participate in internships, and observe techniques and trends in theater make-up in the United States in 1994.
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Search / Filter GranteesCheung Fai
To survey arts journalism and criticism in the United States in summer 1994.
To study lighting design and to observe theater management procedures in the United States.
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To survey contemporary Japanese theater and to explore potential relationships among the arts, technology, and communications in Japan in 1995.
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To study traditional theater and butoh performance in Japan in summer 1995.
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To assist ITI in providing program support services to visiting theater artists from Asia in 1994.
To provide support for a performance tour by Yoshi and Company of Hannya Shingyo, a contemporary ritual based on The Tibetan Book of the Dead, in the United States and Canada, September - October 1975.
To enable the following theater specialists to attend meetings of the Working Committee of the International Theatre Institute and the Asian Theatre Conference, Bombay, November 1972 and to enable Ellen Stewart to survey theater activities in Indonesia, Malaysia, and the Philippines: Martha Coigney, United States; Cecile Guidote, Phillippines; Winotokusomo Soedarsono, Indonesia; Ellen Stewart, United States; Duk Hyung Yoo, Korea.
To enable Cecile Guidote, executive director of the Philippine Educational Theater Association, Manila, to survey theater activities in the United States.
To enable the following American theater specialists to attend the Third World Festival and International Conference, Manila, November 1971: Rosamond Gilder, Lloyd Richards, Ellen Stewart, Luis Valdez.
To enable Brooks Jones, American theater specialist, to serve as advisor and visiting director at the Philippine Educational Theater Association, Manila.
To provide for purchase and distribution of 400 copies of the publication Theater 2 to theater professionals and institutions in Cambodia, Hong Kong, India, Indonesia, Japan, Korea, Laos, Malaysia, Pakistan, the Philippines, the Republic of China, and Sri Lanka.
To enable Som Benegal, theater specialist, New Delhi, to attend a special session of the Executive Committee of the International Theatre Institute, Paris, October 1968.
To the American National Theatre and Academy, New York, to enable the following Asian theater specialists to attend the XII Congress of the International Theatre Institute, New York, June 1967, and to travel in the United States thereafter: Ariff Ahmad, Malaysia; E. Alkazi, India; Tetsuo Arakawa, Japan; Lamberto V. Avellana, Philippines; Som Benegal, India; Cecile Guidote, Philipines; Eui Kyung Kim, Korea; Kashiro Koizumi, Japan; Sombhu Mitra, India; Ryoichi Nakagawa, Japan; H.D. Sugathapala, Sri Lanka
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To pursue research on Native American cultural traditions in the United States in spring 1994 in connection with the development of a new collaborative music-theater piece.
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To enable artistic director Joseph Hanreddy and playwright Steven Dietz to travel to Japan in summer 1994 to confer with colleagues at the Institute of Dramatic Arts, Tokyo, in connection with the development of a collaborative theater piece based on the novel Silence by Shusaku Endo.
Enable Joseph Hareddy, artistic director of the Milwaukee Repertory Theater, to travel to Japan in June 1993 to collaborate with colleagues at the Uinstitute of Dramatic Arts, Tokyo, in developing international theatrical exchange programs.
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to support a performance by the contemporary Japanese performance group Dumb Type Theater as part of the New York International Festival of the Arts in June 1988
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To provide support for the collaboration of Asian artists on the production Big Wind in Asia in fall 1994.
Support the participation of artists from Asia in the San Francisico Mime Troupe's production of Offshore in summer 1993.
to enable theater director Dan Chumley to present workshops in Hong Kong and Tokyo in April 1992
to enable playwright Carlos de la Paz from the Philippine Educational Theater Association (PETA) in Manila to be in residence at the San Francisco Mime Troup in December 1991
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To enable Korean directorJeong-ok Kim to participate in SITI's International Exchange Forum in September 1994.
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To enable Beijing opera teacher Yisong Fan from the Shanghai Theatre Academy to direct theater workshop, "Shakespeare and Beijing Opera" at Tufts University in summer 1994.
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