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San Francisco Mime Troupe

To provide support for the collaboration of Asian artists on the production Big Wind in Asia in fall 1994.

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Triangle Arts Program

(Jacob's Pillow Dance Festival.) To support the participation of artists and arts managers from the United States, Japan, and Indonesia in the Triangle Arts Program Pilot Project in Dance, a multilateral exchange program coordinated with the assistance of three host institutions: the Jacob's Pillow Dance Festival in Lee, Massachusetts; the Jakarta Arts Center in Indonesia; and the Morishita Studios in Tokyo in summer and fall 1994.

(Jacob's Pillow Dance Festival.) To support the participation of artists and arts managers from the United States, Japan, and Indonesia in the Triangle Arts Program Pilot Project in Dance, a multilateral exchange program coordinated with the assistance of three host institutions: the Jacob's Pillow Dance Festival in Lee, Massachusetts; the Jakarta Arts Center in Indonesia; and the Morishita Studios in Tokyo in summer and fall 1994.

(Jacob's Pillow Dance Festival.) To support the participation of artists and arts managers from the United States, Japan, and Indonesia in the Triangle Arts Program Pilot Project in Dance, a multilateral exchange program coordinated with the assistance of three host institutions: the Jacob's Pillow Dance Festival in Lee, Massachusetts; the Jakarta Arts Center in Indonesia; and the Morishita Studios in Tokyo in summer and fall 1994.

(Jacob's Pillow Dance Festival.) To support the participation of artists and arts managers from the United States, Japan, and Indonesia in the Triangle Arts Program Pilot Project in Dance, a multilateral exchange program coordinated with the assistance of three host institutions: the Jacob's Pillow Dance Festival in Lee, Massachusetts; the Jakarta Arts Center in Indonesia; and the Morishita Studios in Tokyo in summer and fall 1994.

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United States Institute for Theatre Technology

To enable theater director Margaret Booker to participate in the Beijing '94 Stage Design Symposium at the Central Academy of Drama in China in December 1994.

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Wang Yo Huei

To supplement a grant from the National Endowment for Culture and Arts, Taipei, in connection with observation of theater activities in the United States in fall 1994.

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