我們的受獎者

Indonesian Music and Dance

• 1973
• Indonesia 到 United States

to the Center for Cultural and Technical Interchange between East and West, Honolulu, and the Institute of Ethnomusicology, University of California, Los Angeles, to enable the following Indonesian music and dance teachers to study musicology, music and dance: Enoch Atmadi, Konservatori Kariwatan, Bandung; I Made Bandem, Akademi Seni Tari, Indonesia, Denpasar; Iim Djunaedi, Konservatori Karawitan, Bandung; Winotokusomo Soedarsono, Akademi Seni Tari, Indonesia, Yogyakarta; R. Wiranto, Konservatori Karawitan, Surakarta.

• 1972
• Indonesia 到 United States

to the Center for Cultural and Technical Interchange between East and West, Honolulu, and the Institute of Ethnomusicology, University of California, Los Angeles, to enable the following Indonesian music and dance teachers to study musicology, music and dance: Enoch Atmadi, Konservatori Kariwatan, Bandung; I Made Bandem, Akademi Seni Tari, Indonesia, Denpasar; Iim Djunaedi, Konservatori Karawitan, Bandung; Winotokusomo Soedarsono, Akademi Seni Tari, Indonesia, Yogyakarta; R. Wiranto, Konservatori Karawitan, Surakarta.

• 1971
• Indonesia 到 United States

to the Center for Cultural and Technical Interchange between East and West, Honolulu, and the Institute of Ethnomusicology, University of California, Los Angeles, to enable the following Indonesian music and dance teachers to study musicology, music and dance: Enoch Atmadi, Konservatori Kariwatan, Bandung; I Made Bandem, Akademi Seni Tari, Indonesia, Denpasar; Iim Djunaedi, Konservatori Karawitan, Bandung; Winotokusomo Soedarsono, Akademi Seni Tari, Indonesia, Yogyakarta; R. Wiranto, Konservatori Karawitan, Surakarta.

• 1970
• Indonesia 到 United States

to the Center for Cultural and Technical Interchange between East and West, Honolulu, and the Institute of Ethnomusicology, University of California, Los Angeles, to enable the following Indonesian music and dance teachers to study musicology, music and dance: Enoch Atmadi, Konservatori Kariwatan, Bandung; I Made Bandem, Akademi Seni Tari, Indonesia, Denpasar; Iim Djunaedi, Konservatori Karawitan, Bandung; Winotokusomo Soedarsono, Akademi Seni Tari, Indonesia, Yogyakarta; R. Wiranto, Konservatori Karawitan, Surakarta.

• 1969
• Indonesia 到 United States

to the Center for Cultural and Technical Interchange between East and West, Honolulu, and the Institute of Ethnomusicology, University of California, Los Angeles, to enable the following Indonesian music and dance teachers to study musicology, music and dance: Enoch Atmadi, Konservatori Kariwatan, Bandung; I Made Bandem, Akademi Seni Tari, Indonesia, Denpasar; Iim Djunaedi, Konservatori Karawitan, Bandung; Winotokusomo Soedarsono, Akademi Seni Tari, Indonesia, Yogyakarta; R. Wiranto, Konservatori Karawitan, Surakarta.

• 1968
• Indonesia 到 United States

to the Center for Cultural and Technical Interchange between East and West, Honolulu, and the Institute of Ethnomusicology, University of California, Los Angeles, to enable the following Indonesian music and dance teachers to study musicology, music and dance: Enoch Atmadi, Konservatori Kariwatan, Bandung; I Made Bandem, Akademi Seni Tari, Indonesia, Denpasar; Iim Djunaedi, Konservatori Karawitan, Bandung; Winotokusomo Soedarsono, Akademi Seni Tari, Indonesia, Yogyakarta; R. Wiranto, Konservatori Karawitan, Surakarta.

Institut Keguruan dan Ilmu Pendidikan

• 1973
• Visual Art
• Indonesia 到 United States

to provide for the purchase and shipment of books, teaching materials, and equipment.

• 1970
• Visual Art
• Indonesia 到 United States

to enable Adrin Kahar and Sumarjadi of the fine arts faculty to study and observe contemporary art developments in the United States.

• 1969
• Visual Art

to provide fot the purchase and shipment of books, teaching materials, and equipment.

W.S. Rendra

• 1973
• Theater
• Indonesia 到 United States

to survey contemporary theater activities in the United States, Japan, and Australia.

• 1967
• Theater
• Indonesia 到 United States

To study dramatic literature, theory, and criticism at New York University

I Made Sutayasa

國家/地區:
• Indonesia

• 1973
• Archaeology

to attend a meeting of the Australian and New Zealand Association for the Advancement of Science in Perth, Australia, August 1973, to deliver a paper on prehistoric Indonesian pottery.

Taufiq Ismail

國家/地區:
• Indonesia

• 1972
• Indonesia 到 United States

to survey cultural institutions and activities in the United States.

Lembaga Musikologi dan Koreografi

• 1972
• Music

to provide for the purchase and shipment of books, periodicals, research materials, and equipment.

Mastini Hardjo Prakoso

國家/地區:
• Indonesia

• 1972
• Museum Studies

to survey libraries in the United States, India, Malaysia, Singapore, Thailand, and Europe.

Akademi Seni Tari Indonesia

• 1971

to provide for the purchase and shipment of books and lighting equipment

• 1970

to provide for the purchase and shipment of books and lighting equipment

Dewan Kesenian Jakarta

• 1971

to provide for the purchase and shipment of filming and recording equipment for documentation of Indonesian arts.

• 1970

to provide for the purchase and shipment of art materials for painters working at the Taman Ismail Marzuki (TIM) arts center.

• 1969
• Visual Art
• Indonesia 到 Indonesia

to provide for the purchase and shipment of art materials for painters working at the Taman Ismail Marzuki (TIM) arts center.

Anwas Iskandar

國家/地區:
• Indonesia

• 1971
• Museum Studies

to attend the fifth Waigani Seminar, University of Papua and New Guinea, May 1971

Krida Beksa Wirama Conservatory of Dance

國家/地區:
• Indonesia

• 1971
• Dance

to provide for the purchase and shipment of a video-recorder system for the documentation and study of traditional music and dance.

Roedjito

• 1971
• Theater
• Indonesia 到 United States

to survey contemporary theater and art activities in the United States.