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John Hay

to complete dissertation research in Chinese art history at the National Palace Museum, Taipei, to assist the editing of the English edition of the National Palace Museum Bulletin, and to survey public and private art collections in Japan.

to complete dissertation research in Chinese art history at the National Palace Museum, Taipei, to assist the editing of the English edition of the National Palace Museum Bulletin, and to survey public and private art collections in Japan.

to complete dissertation research in Chinese art history at the National Palace Museum, Taipei, to assist the editing of the English edition of the National Palace Museum Bulletin, and to survey public and private art collections in Japan.

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National Palace Museum

to enable the following scholars to attend the International Symposium on Chinese Painting, National Palace Museum, June 1970: Fong Chow, the Metropolitan Museum of Art, New York; Rene-yvon D'Argence, the Avery Brundage Collection, San Francisco; Jan Fontein, Museum of Fine Arts, Boston; Shen Fu, Princeton University; Wai Kam Ho, the Cleveland Museum of Art; George Kuwayama, Los Angeles County Museum of Art; Aschwin Lippe, the Metropolitan Museum of Art, New York; Robert Poor, University of Minnesota; Harrie A. Vanderstappen, the University of Chicago; Nelson I. Wu, Washington University, St. Louis; William D. Y. Wu, Chinese Culture Foundation of San Francisco.

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Anne Clapp

to attend the Meeting of Experts on the Conservation and Restoration of Oriental Paintings, tokyo and Kyoto, November-December 1967, organized by the Japanese National Committee for the International Council of Museums and the Japanese National Committee for Unesco.

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Rodolfo Paras-Perez

to conduct research in Mexico and Europe in connection with a Ph.D. dissertation in art history for Harvard University.

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