搜尋/篩選得獎人To visit museums and conservation laboratories and explore the possibility of joint research projects with conservators and museum specialists in China
to survey Asian bronze collections and museum conservation facilities in Hong Kong, India, Japan, Korea, the Republic of China, and Thailand
了解更多to support the participation of master puppeteer Tamamatsu Yoshida and other theater artists from Japan in the October 1988 production of The Warrior Ant at the Brooklyn Academy of Music
了解更多to observe experimental arts activities and to meet with artists and critics in Japan in fall 1989
了解更多To enable Indonesian dancer Linda Hoemar to serve as an apprentice dancer with the Elisa Monte Dance Company in 1988-89.
To enable Company director Elisa Monte and associate director David Brown to give modern dance and choreography workshops in Beijing and Guangzhou, China, in May 1987.
了解更多to attend the Twelfth Congress of the International Institute for Conservation of Historic and Artistic Works in Kyoto, Japan, in fall 1988
了解更多to travel to China as the US/ICOMOS delegate to a series of meetings on the preservation of historic sites in spring 1988
了解更多to support the residency of Balinese musician I Ketut Partha as visiting teach with Gamelan Sekar Jaya in 1988-89
To enable Balinese musician I Wayan Sujana to attend performances of music, dance, and theater events in the San Francisco area during a year-long residency as a visiting teacher with Gamelan Sekar Jaya.
Enable Balinese musician and teacher I Wayan Sinti, Denpasar, Indonesia, to direct Gamelan Sekar Jaya in Oakland for four month in spring 1985 in preparation for the Gamelam's performance tour to Indonesia.
了解更多to support workshops by Korean folk potters in thirteen cities in the United States in early 1988
了解更多To travel to Laos in January 1989 to advise the National Institute for Artistic and Literary Research on the creation of an archive of audio-visual materials in the performing arts.
to attend the national meetings of the Society of Ethnomusicology, Los Angeles, November 1968, and to survey American university programs in ethnomusicology
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