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Colden Center for the Performing Arts

to enable Japanese composer Keiko Fujiie to collaborate with choreographer Kristin Jackson in the creation and performance of In Their Shoes, a new work presented by the Colden Center for the Performing Arts in October 1998

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Field Museum

to bring ceramics specialists from China and Vietnam to the 1998 Field Museum/ACRO Conference

to support the participation of Wang Zingzheng from China and Phuthorn Bhumadhon from Thailand in the Field Museum's conference on Asian ceramics, to be held in May 1996..

To enable Professor Li Dejin, senior archaeologist, Institute of Archaeology, Beijing, to participate in a conference on Asian ceramics at the Field Museum of Natural History in fall 1994.

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Harvard University Art Museums

research by Peter Nesbitt and James Cuno - Japan on Le Corbusier's influence on the architecture of Sakakura and Miyakawa

to enable the museum director, James Cuno, to participate in the Japan-U.S. Museum Professionals Exchange Program Planning Meeting

to enable Vasant N. Nerikar, Nagpur, India to complete a program of study leading to the Master of Landscape Architecture degree at the Graduate school of Design, Harvard University.

to enable the following Asian individuals to study in programs leading to the Master of City Planning in Urban Design degree at the Graduate School of Design, Harvard University: Supratik Bose, India; Chi Wing Ho, Hong Kong; Shunsuke Iwasaki, Japan; Sakura Namioka, Japan; George Oommen, India; Wing Ning Pang, Hong Kong.

to support the Adams Music Society's presentation of the musical drama Siddhartha by James Anderson

to continue support in connection with the Indian Kotah Painting Film Project for a film on Rajput court life as illustrated in Kotah painting, made in collaboration with Clark Worswick of the Carpenter Center for the Visual Arts, Harvard University.

To provide support in connection with the Indian Kotah Painting Film Project for a film on Rajput court life as illustrated in Kotah painting, made in collaboration with Clark Worswick of the Carpenter Center for the Visual Arts, Harvard University

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